#(liked SO BAD that this conversation(comics) happened)

[hhhhleb]

Error calls him this way and that, they never chose one thing.. saw all these pretty names that people gave Lust... they're adorable:D

[paunchsalazar]

Oppenheimer made me laugh….

[steampoweredskeleton]

.

Ignore

[earthtooz]

x : NOT JEALOUS ! :*+ﾟ

in which: alhaitham isn't jealous, he doesn't get jealous, so what is this suffocating feeling in his chest that only happens when you're talking to another man that isn't him?

warnings: 5.4k words, jealous!alhaitham x gn!reader who has loads of rizz, university!au, fluff with angst but happy ending, pining!alhaitham who doesn't realise that he loves you, kaveh is there, mention of cyno, ooc at some bits?, swearing, alhaitham is a little bit of an asshole at some parts sawry. he's bad with feelings.

a/n: inspired by @danijaci's jealous jealous boy comic with alhaitham! hi dani if you're reading this pls don't perceive me... hides... but i hope you all like it :,)

Alhaitham isn’t jealous. 

The uncomfortable feeling obstructing itself in his throat is just because he’s beginning to develop a sore throat- that’s all. It is flu season after all, who knows what kind of bacteria are in the air? Ones capable of lathing an uncomfortable oil that burns inside his chest, the smog crowding its way into his heart, sickening him to his core as Alhaitham can’t help but eavesdrop on the conversation happening beside him.

“I’m free friday,” a voice besides you confirms.

“Okay!” you cheer, sounding a little too happy for Alhaitham’s liking. After all, it’s 9 am, who has this much energy in the morning? “lets do Friday then!”

“Sounds good, I’ll see you then. Bye Y/n.”

“Bye, see you!” Alhaitham watches from the corner of his eye as you wave to the random stranger you’ve decided to associate yourself with before finally taking the seat beside him with a sigh. 

He doesn’t say anything to you, feeling your eyes glance at him expectantly as he stares stubbornly at the lecture board instead of acknowledging you or the jumble of feelings clogging up his diaphragm. 

“Hello, you,” You lean over slightly, careful to not invade his personal space whilst waving at him, hoping to catch his attention. He glances at you, nodding in greeting before returning to his book, the pages and rows of words only fuelling his unease he suddenly felt. He doesn’t even know where he left off, the book’s events a blur in Alhaitham’s mind.

How bothersome. What’s happening to him?

“Talkative today, aren’t you?” Your tone is playful despite his cold attitude and Alhaitham sneaks another look in your direction, noting the way your lips curve upwards. “So, how are you?” 

“I’m fine,” he murmurs, inserting a bookmark between the pages before slamming it shut, an indicator that you could keep conversing with him.

“Cool.” You tap your nails on the desks of the lecture hall. “Oh, I finished my essay the other day.”

“The one for your elective?”

You hum in agreement, “I hope I never get it back. Submitted it ten minutes before the due date.”

“You know you wouldn’t have been stressed over it if you just started it earlier-”

“I know, I know,” you huff, “spare your productivity lectures for another time, I’ll be needing them later in the semester.” The grey-haired shakes his head as you laugh, but his gaze returns to the front cover of his book as he solemnly thinks about the interaction you had with another man, right in front of him. 

(What right did he have to see you smiling so earnestly like that?)

“Who was that?” Alhaitham coughs out, barely choking down his pride in time to make space for the question.

You murmur some guy’s name that he doesn’t bother to remember. “He’s a friend of mine in the same discussion group for this course and we decided to do the assignment together. He bumped into me on the way in so we were just planning when to meet to do the research.”

“Oh.” Your answer doesn’t calm the churning in Alhaitham’s gut. Not even one bit, in fact, it makes it worse. 

But it’s not jealousy, Alhaitham doesn’t get jealous because he’s above petty feelings of inadequacy. He’s merely concerned for you, worried for your brainpower by the end of the project because your partner seems less-than-incompetent. If you’d picked someone like Alhaitham (or better yet, just picked Alhaitham), you would’ve aced the class without even blinking an eye. 

(The two of you are friends, so why didn’t you pick him? It’s literally been proven that the two of you are compatible working together since you were both executives of Sumeru’s Cultural Society, and amidst all of the activities the club has run, you’ve collaborated many times to make each event run flawlessly. So why not him? Why would you pick another man over him?)

“You know you could have picked me, I wouldn’t mind working on the assignment with you,” he grumbles, words soft but very clear.

Alhaitham misses the way your eyes widen in shock as apologies scramble out of your mouth. “I’m sorry! I automatically assumed that you wanted to work on it by yourself. Next time I’ll ask you.” 

The lecture begins before he could say anything in return and like a robot, he sets his thoughts aside and begins listening, notes document up and cursor blinking at the ready.

A mundane two hours pass by, one powerpoint slide after powerpoint slide before the lecture is finally over, much to your pleasure. Alhaitham notices the way you eagerly jump out of your seat to stretch, grabbing your bag. On the other hand, your grey-haired accomplice takes his time in packing up, forcing you to wait for him.

“Would you like to get some coffee before the meeting?” You ask.

“Sure, we can find a seat there and join it together,” he adds and you beam at him, expression bright and so enchanting that it makes him forget about all the perplexities he felt before the lecture. 

The two of you make your way to one of the many campus cafés where you practically wrestled Alhaitham to stop him from paying for both your orders (losing in the end) before sitting at a booth, your laptop set up with a pair of Alhaitham’s earphones shared between you. The meeting begins to fill up with almost all committee members, even Kaveh, who resides in his room of his and Alhaitham’s shared flat. Upon noticing him, you go to text him, with the grey-haired peeking over your shoulder from time to time to see your conversation- not that he cares that much.

(Perhaps if Kaveh glanced up from his phone, then he’d see how close Alhaitham had gotten with you, breaching the distance that he prefers to keep around others. He’d also notice the headphone sharing despite how he generally tends to keep them out of anyone else’s hands.)

You’re tasked with the role of taking notes for the meeting since Alhaitham, in your opinion, is not at all a reliable scribe. His notes tend to just include vital information and never what everyone else needs to know, yet each time you scold him for it, his unbothered expression never falters, waving your complaints off with a shrug. 

“Hey, Kaveh and I are going to go for lunch tomorrow after our classes. Care to join?” You ask, smiling at him hopefully as your messages with Kaveh sit open on your screen. Alhaitham doesn’t think twice before agreeing. 

── ⋆⋅☆⋅⋆ ──

“It looks like it’s about to rain,” you murmur, pulling out a chair as Alhaitham and Kaveh take their seats opposite you. 

“So it does,” Alhaitham notes, not caring to look too long out the window before returning his gaze to you. “You have an umbrella, right?”

“I, uh, didn’t think I needed one today.”

“Do you not check the weather before you leave?”

“Not everyone’s like you, Alhaitham.” Kaveh teases. “It’s no problem, Y/n, if it rains I can walk you back to your dorm.”

“Only if you are okay with it,” you insist, “I have no problem walking home in the rain. I love the rain.”

Alhaitham intervenes with a raise of his hand. “Nonsense, you’ll catch a cold. We’ll walk you home.”

A soft but genuine ‘thank you’ slips from your lips, neither of you wiser to the way Kaveh eyes his roommate suspiciously, not missing the use of ‘we’ in his sentence and the implications the collective pronoun has. For it meant that Alhaitham is willing to take precious time out of his day to perform an act for someone that he is not indebted to do. Not that Alhaitham is inherently selfish, per se, but he is a man of routine. He wakes up every morning and takes five minutes to scribble on his stupid whiteboard in the kitchen what he has to do for the day and strictly abides by it, not even straying two minutes off schedule.

Willingly volunteering his minutes? Kaveh finds that suspicious. 

“So, how’s your architecture assignment, Kaveh?” You ask, breaking the blond from his daze whilst Alhaitham pours glasses of water for the table, starting with your cup. 

“A nightmare,” he sighs, sinking into his chair. “I still have so much to do, you know my professor didn’t like my blueprint? How ridiculous! I hope that man steps in a puddle and wets his sock.”

The grey-haired pipes up with a remark. “I can’t wait for it to be done, our living room is a mess right now.” 

“Hey, I am the one that cleans that living room, thank you very much. Your bookshelf is still a mess even though I’ve asked you to clean it five times.”

“If it bothers you so much then why don’t you do it yourself?”

“I’m the only one who-”

“-I’m going to go to the bathroom,” you murmur, cutting the conversation before shuffling out of your chair, seemingly eager to do so.

Kaveh turns to the grey-haired again, “and you just scared away Y/n.”

“Sorry no one wants to hear about your architecture project.”

“Y/n literally asked, asshole.”

A rebuttal sits on the tip of Alhaitham’s tongue- as it always does when it comes to bickering with his roommate, but it dies out when an intruder comes to the table. “Excuse me, I hate to interrupt,” he begins, “but the person who just got up, is that your friend?”

“Yeah, why do you ask?”

“Oh, I just wanted to drop this off, mind passing it over for me?” The piece of paper he was holding lands in Kaveh’s hand. “Thanks, bro.” Is all he says before strolling away, out of sight but definitely not out of mind.

The blond does not hesitate to open it up, chuckling in amusement when reading the content. “’Hey you’re cute, here’s my number’ it says. What a bitch! You didn’t like his vibes either, right, Alhaitham?”

“Hold on, what does the note say?”

Grabbing (snatching) it from Kaveh, the grey-haired has half a mind to rip the note apart, a certain sense of distaste washing over him that intensifies the long he stares at the guy’s handwriting. His eye is twitching. Why is his eye twitching?

“Hey!” He hears Kaveh call. “Don’t scrunch it, that’s Y/n’s-“

Alhaitham stuffs the ball of paper into his bag where he’ll recycle it later even though something irrational within him tells him to burn it. “Y/n won’t miss it. You said it yourself, he’s a bitch.”

“Sure, but why are you doing-“

“Hey!” You interrupt, sliding back into your chair with a grin on your face. “So, what did I miss?”

“Nothing,” the grey-haired murmurs, assuming his crossed-arm position. Kaveh side eyes his roommate before agreeing with a hum. “Let’s order something now. We want to beat the rain, right?”

── ⋆⋅☆⋅⋆ ──

This meeting for the Sumeru Society might have been one of the most important ones of the year thus far, with almost every committee member expected to attend. After all, the annual ball was a big event that always had the largest turnout, and the amount of planning that goes into it to ensure its success is almost triple that of its other events.

So why weren’t you here?

“Why did you leave the meeting early on Friday?” Alhaitham asks as soon as he sees you.

You pause briefly, eyes widening and eyebrows raising. It must have been the way that Alhaitham’s voice raised a pitch towards the end of the question, demonstrating a nervous break in character that was not at all typical. Cool and collected would be the defining words to describe Alhaitham, as well as someone who does not care for the menial activities of others, so what is he doing asking you? And why does he care so much?

“I, uh, had dinner with someone,” you confess, continuing to grab your books and laptop, missing the way his features contort into something un-cool, and very un-Alhaitham.

“Whom?”

You murmur the name of some other guy, who he vaguely recalls to be your project partner.

“What?” Alhaitham snaps.

“I didn’t think missing out on some of the meeting would be a big deal! I got another committee member to explain what I missed,” you justified. “Besides, there’s no big events going on right now, so I thought-”

“-That you could abandon your tasks and go have fun with someone else?”

Alhaitham’s not really sure why he said that. He’s not angry that you skipped a meeting; there are larger things in the world to worry about, he’s angry because you spent time with another guy that wasn’t him.Why not go to dinner with him instead? He spends it every night with Kaveh, and you are far more favourable than Kaveh.  

“Is it really something to get mad over? I already told you, I got the meeting notes and everything-”

“-You’re an executive of the society, Y/n, more is expected from you.”

“Seriously?” you ask, “how come you didn’t bat an eye when the vice president wasn’t there the other day?”

“Because she was sick.” 

“Okay, fine! what about the subcommittee? they’re not always there either!” 

“They’re subcom. Whether they miss a meeting or not is not crucial.”

“So, it’s just my business that you care about?” You ask, eyebrows furrowed, disbelief clouding over your expression like a mask.

Again, Alhaitham doesn’t know where these punches are coming from and why he’s throwing them against you so viciously, but his heart is tightening defensively with a burning emotion that he’s been feeling more and more recently, and his first instinct is to lash out, to protect himself from it.

Perhaps it’s because foreign things that he can’t understand terrify him and you, all you ever do is make him feel things that he’s never felt before and he can’t understand why. 

“You’re not that special.”

A flash of hurt gleams in your eyes and Alhaitham knows now that he’s royally fucked up. “You’re an ass,” you grumble, about to walk away when he intercepts.

“Listen to me!”

“Fuck off!” 

“Y/n-”

You’re gone before he can get another word out, retreating figure stomping away whilst his chest weaves into knots; something that no amount of deep breathing can calm. It doesn’t help that the minute he returns home, Kaveh is onto him like some sort of parasite, curious over the tense air surrounding his normally-composed roommate. 

“Hey, welcome home- whoa, what’s gotten into you?” The blond asks.

“None of your business,” Alhaitham grumbles through gritted teeth, taking his shoes off and throwing them aside haphazardly. Kaveh doesn’t miss the way Alhaitham’s jaw is clenched, or the strain in his hand when he brings up a hand to run through his hair, or the very subtle and minute twitch in his cheek.

The blond ignores all signs that he wants to be left alone, and instead, follows the grey-haired to his room after he swung the door open. 

“Whoa, whoa, whoa, hold on, let’s talk about this-”

“Talk about what?” Alhaitham growls.

“Who pissed in your black coffee today?” 

“No one. Now get lost.” 

“Aw, come on, you know what they say. Getting things off your chest is always beneficial.”

“There’s nothing on my chest, go away.”

“You sure? no stress, no deadlines, no love interest making you tear your hair out-”

“-No, no, none of those!”

“Then what?”

Alhaitham steadies himself by resting his elbows on his thighs, hands clasped together as he exhales loudly. “I got pissed and took it out on Y/n, who’s mad at me now.”

“Huh? Why so annoyed?”

“Because Y/n went to dinner with another man.”

It’s silent for a while. The sassy quip that he expects from Kaveh does not happen. Instead, the blond merely smiles, a satisfied, knowing grin that slightly irks him. “You know, I’ve been waiting for the day you realise you have feelings for Y/n.” 

“What? Where did you get that conclusion from?” Alhaitham sits up straighter. There are a lot of things he knows, and he knows for sure that he does not like you in any way beyond platonic. He doesn’t have any time to spare for love. There are scholarships he still needs to apply for, internships to be interviewed for, research projects to submit- nowhere amongst the minute hand of the clock is there space for love. 

“Oh come on,” Kaveh sits down on the bed beside his roommate, leaning back on his hands. “You’re not as smooth as you hope to be sometimes.”

“I’m serious, I don’t know what you’re talking about.”

“Y’know the sooner you accept you have feelings for Y/n, the easier life will be.”

“Life is already easy and there is no sooner because I don’t like Y/n like that. Now get lost. I have stuff I need to finish.”

Kaveh shrugs, standing up with a soft ‘suit yourself’, taking seven steps before he’s out of the room. Alhaitham lets out a sigh that has lodged itself in his throat for too long, and the feeling of reprieve he gets is short-lived before he’s flooded with a certain tightness again. Maybe he did have a weight on his chest after all, not that he’d ever admit it to himself or Kaveh.

He gets up from his made bed with a grunt and decides to push aside all distractions. Time is unforgiving, and if doesn’t finish his assignment by this Friday then he’ll be a little less than pleased.

── ⋆⋅☆⋅⋆ ──

Alhaitham feels like he can’t breathe. 

You’re sitting alone at a library desk, all focused and concentrated on your laptop screen with your headphones on, blocking out any outside voice as you type away. He wonders if he should say hi, maybe try apologising for the way he acted last Monday- who is this guy that’s approaching you and why does he look so familiar? 

And why are you smiling so happily?

You beckon to the seat beside you and the guy readily complies, taking the chair beside you like he belonged there, like there weren’t other candidates that should be there instead (he’s not talking about himself. definitely not).

He hands you one of two coffee cups he’s holding. What kind of right does this guy have to give you a coffee? Does he even know your order?

He feels like a bit of creep keenly watching you interact with someone else from a balcony of the library, but the book and laptop in front of him lies forgotten, and in a rare moment of weakness, Alhaitham can’t find it in himself to return to his tasks, pursuit of knowledge momentarily forgotten. He can’t push aside the bile that threatens to rise, he can’t loosen his grip on the couch’s armrest, and he can’t blink for a second in fear of losing you from his sight.

(You’re laughing. Why are you laughing? How can you look so pretty laughing and why doesn’t he ever get to make you laugh like this?)

Alhaitham is losing his damn mind. So much so that the first thing he does when he sees you again is corner you. 

“You shouldn’t talk to that guy anymore.”

You’re backed against the brick walls of the time-worn building that your shared lecture always takes place in, and Alhaitham, spotting you like a hawk, put you in this precarious position as soon as the two hours were over. 

He can’t breathe. It’s been almost three weeks since you last spoke to him and you’re staring up at him like you’ve done nothing wrong, blinking once and twice at his uncharacteristic display of subtle aggression. 

“Who?” you mutter, shaking your head to try and grasp reality once again. you hug your laptop closer to your body. “What’s this about?”

“I said you shouldn’t talk to that guy anymore.” 

“What guy?” 

“Your project partner.”

“Really?” you mutter in disbelief.

He nods, teal eyes shining at you firmly. “Really. The project’s over, you don’t need to talk to him anymore.” 

“I don’t recall ever giving you the right to dictate who gets to be in my life or not, just like how you can’t tell me what to do with my time.” 

“I’m looking out for you, so stop trying to make me sound tyrannical.” 

Your mouth hangs open as you furrow your eyebrows, growing more and more frustrated with each second. So much for thinking that he wanted to resolve the awkwardness between the two of you. “I’m not even going to argue with you,” you murmur a quick ‘jerk’ under your breath before brushing past him. 

Alhaitham, however, is not willing to let you go as easily as you wish, quick to chase after you. Not that you go far anyways, turning around to face him again in the spaciousness of the vacant hallway. “Why do you care?” You ask, exasperated. “You’re Alhaitham, you don’t let trivial things like who I hangout with bother you, you’re cool and collected and rational, and I just don’t understand why you’re acting like this.”

He doesn’t understand either, not the erratic beating of his heart, the stubbornness of his mind, nor this undisputable urge to keep you all to himself. Is it normal to want to hide someone for selfish reasons?

Trailing off, Alhaitham is slightly humiliated that for the first time in his life, someone has witnessed him coming short of an answer. No logical conclusion, no explanation, not even a satisfying quip, just plain, suffocating silence.

“Right. When you do have an answer, let me know.” You walk away.

── ⋆⋅☆⋅⋆ ──

Your last rebuttal still weighs heavily on Alhaitham’s mind, even two days later as he and Kaveh are seated for a lecture in a shared course. His thoughts are scrambled like never before, the messiness of it all making him feel uneasy because for once, he doesn’t have an appropriate answer to a question.

Why was he acting like a temperamental teenager? What you did with your life was up to you, and indeed he has no right trying to change that. More importantly, why was it so hard to apologise for the stuff he said-

“So, how’s everything between you and Y/n?” 

Kaveh turns to him with widened eyes whilst Alhaitham’s poker face doesn’t move an inch, deceivingly apathetic.

“Good, we’ve been hanging out a lot more recently,” the other guy says, who Alhaitham quickly recognises to be your project partner and distaste rises in his stomach like bile. 

“Aye, good for you, man! So when are you going to ask Y/n out?”

“No way, bro, not yet. I’m such a wimp, but I hope I grow the balls to ask soon because I really like-”

“-looks like you got some competition!” The blond nudges Alhaitham, and if it were anyone else, they would not have glanced twice at the grey-haired who seemed unmoving and uninterested. However, Kaveh is not anyone else because he noticed the darkened look in Alhaitham’s eyes instantly, anger seeping into his composed gaze as his nose scrunches in disgust. 

── ⋆⋅☆⋅⋆ ──

“So, you and Alhaitham still aren’t talking?” Kaveh asks, leaning on the table of the restaurant with curious ears, hoping that he can grab some answers out of you as to why there was a stalemate between you and his roommate.

“Nope,” you sigh. 

“Why not?”

“I’m just-” you pinch the bridge of your nose, “I’m just waiting on an apology from him.”

“An apology? Why? What did he say?”

“He didn’t tell you?”

“You know how he is. Always insufferably secretive, so no, I don’t know anything that happened.” 

“Alhaitham just said some hurtful things to me, and he was being weird when I told him I was going to dinner with a friend of mine. Just kept being in my business.”

“Really?” The architecture student quirks a brow, confusion plastered on his face. “That’s not like Alhaitham at all.”

“I know, right? He kept trying to be like ‘don’t hang out with him’ and ridiculed me for not playing my part as an executive of the Sumeru society,” you complained, “like sorry I have other things I want to do.”

Kaveh nods in understanding as the conversation briefly stops when the waiter comes to drop off utensils at your table. As soon as they were gone, however, you begin again.

“And even though he was all up in my business, trying to tell me what not to do, he then said that I wasn’t special, which is so confusing because like-”

“-hold on. Alhaitham said that you weren’t special?” You nod at his parroted claim. “To him?” 

“Yeah. Stung like shit when he said that, especially since I thought we were friends but guess not,” you murmur sadly, fiddling with the fork.

Later that night, almost immediately after meeting you over dinner, Kaveh barges into his roommate’s room, not even changing out of his outside clothes. The sudden intrusion shocks Alhaitham who was busy typing on a document, textbook splayed open beneath him but momentarily forgotten as the blond takes a seat on the bed.

“What the- not even a hello?” The grey-haired asks, confused by this uncharacteristic silence of Kaveh’s. It’s pretty normal for the blond to barge into his room without notice, but it was not normal for him to be so quiet, practically brooding on the mattress. “Whatever. Where have you been? Have you eaten yet, because I made-”

“When will you just confess to Y/n?”

The mention of your name causes a spike in Alhaitham’s heartbeat and he swivels around instantly, attention fully directed towards his roommate. “Where is this coming from?”

“Y/n told me everything that happened between you two by the way-”

“-what, when?”

“Tonight, we just met for dinner.”

“And you didn’t tell me?”

“What would you have done if you knew? Showed up and made things worse?” He doesn’t say anything in retaliation, merely shutting his mouth and furrowing his eyebrows. “Why did you say that Y/n wasn’t special to you?” 

“I didn’t,” Alhaitham sighs, very loud and very perplexed. “I didn’t mean for it to come out the way it did.”

“Don’t you miss Y/n? You two used to hangout so often.”

“I do, of course I do!” He exclaims, burrowing his face in his hands. 

“So why aren’t you apologising?” 

“Because whenever I’m around Y/n, I’m not who I normally am,” he mutters, “especially everything whenever that project partner is around-”

“Jealous, much?”

“I’m not jealous.”

“Oh come on, you’re ridiculous. Stop pushing away your feelings and just be honest with yourself, Alhaitham! Y/n is not just a friend to you and you know it.”

“But, we are just friends-”

“So you mean to tell me that if I hung out with someone else- like if I hung out with Cyno, you would be pissed?”

“What? No, of course not.”

“Then why is it different with Y/n?” Once again, Alhaitham doesn’t have an answer to the question, sitting as still as a statue hunched over his desk. “Fine, I’ll spell it out to you. You like Y/n, more than just a friend!”

The silence leftover from Kaveh’s outburst is tense and full as the grey-haired lets the words sink in. 

“I’ll let you think about it,” the blond murmurs, voice softening dramatically as he stalks out of the room. Before he closes the door, however, he leaves a few final words. “Just- be honest with yourself, Alhaitham, and I wouldn’t delay trying to talk to Y/n.”

A sharp click rings through the room.

Alhaitham is no stranger to being alone, for who needs the company of others when you are happiest by yourself? Yet, in the weeks that you have not been speaking to him, a cardinal urge as been growing each and each day, wanting him to do something so atypical of him: to reach out and make the first move. Every passing day doesn’t lessen the thoughts that plague his mind, rather, they make him more and more impatient, because what if you get swept away by your project partner? 

(What if he’ll be too late? What if you won’t know of these powerful emotions that are steering through the storm in his heart? What if you won’t know just how badly he was been wanting you- wanting to see you, wanting to apologise, wanting to see you beam at him like you always would.

What if you won’t know that he adores you, especially now that he’s figured it out?).

── ⋆⋅☆⋅⋆ ──

A rain droplet falls and lands on your nose, another lands on your forehead, then another lands on your lip then more and more keep falling from the cloudy sky, falling through the leaves and landing on the bench you were currently sitting on. Goodness, you should have checked the weather before leaving your dorm. Why was it now out of all times that it had to rain, what would Alhaitham think after he finally decided to reach out to talk?

Taking your phone out to message the grey-haired about relocating, an umbrella is suddenly held over you, stopping the gentle drizzle from falling onto you. Looking up, you’re greeted by a familiar face that you have been missing too much recently.

“Hello, you,” you breathe, voice gentle and quiet and Alhaitham feels like he can finally breathe after so long, the scent of rain washing away all perplexion.

He nods at you in greeting before offering you the bouquet of flowers he was holding. A gorgeous arrangement of pink of white stare prettily at you and a man even more gorgeous expects you to accept it.

“For me?” You ask.

“For you.”

“Thank you, they’re so beautiful,” you take his gift with gentle hands, holding it close to your chest. 

“I want to apologise,” he firmly states, getting straight to the point; very Alhaitham of him. “For treating you the way I have been recently.”

You beam at him, so bright and so gorgeous that it renders him speechless, a feat pretty difficult when it comes to someone like Alhaitham who has a whole dictionary of words, in multiple languages too. Somehow, they all flock out of his mind the second you smile at him.  

“I accept your apology, thank you for reaching out, must have been hard for someone like you, huh?” You tease, standing up from the bench.

“Well, I had do for someone as special as you.” The grey-haired’s voice is deceivingly confident and assured, but you know better, especially when he looks away to hide his expression with his neatly styled bangs. 

“No need for the flattery, you know, I’ve already forgiven you.” There’s a moment of silence that occupies the air, caused by Alhaitham’s hesitation as he fishes his brain for the courage to ask you out. You speak before he can get a word out, however. “I got asked out the other day.”

“By your groupmate?”

“He has a name, you know, but, yeah. I rejected him, though,” you laugh awkwardly, almost like you were trying to cope with it by playing it off. “Did you know that he would do that?” 

“Yes. I did.”

“Is that why you were so adamant on me not hanging out with him?”

“I guess you could say that. We can talk more about it another time,” he tells you, voice gentle and caring to mask the subtle hit of jealousy he feels in his chest, scolding himself for letting someone else confess to you before him. However, it’s a minute sensation in comparison to the triumph Alhaitham feels knowing that you rejected the other party. 

“We have a lot to talk about, don’t we?”

“We do, but I want to ask you something first.” 

You nod, hugging the bouquet closer to your chest, anticipation heavy in the air as you spur him to continue. 

“If I asked you out, would you reject me too?”

A mere second passes by where you don’t respond, yet the second stretches out to what feels like eternity as Alhaitham’s stomach churns. Patience is something he doesn’t lack, but how can he be patient when his heart wants you so bad? 

Then, you take his hand, and the heavens sing at the feeling of your hand in his. “I wouldn’t, but are you asking me out?”

“Are you free right now?”

“I am. Why?”

“Let’s go out then. On a date.”

“I'd love to.” You rise up to place a lingering kiss on his cheek, one that has his heart racing with joy rather than frustration.

The smile you earn is gentle, shy, but says more than Alhaitham's words ever can.

© EARTHTOOZ 2023, do not steal, translate, repost my fics and do not recommend my fics onto any other site.

[inkzectz]

Emotionally unavailable Barney

Explanation:

( based on a convo with a friend )

Just sort of based on Barney’s behavior throughout HL2, I know it’s a popular headcanon to believe Barney would resent Gordon, but I honestly feel the opposite is true. Barney seems to have a hard time grasping that Gordon is really there, like Gordon’s presence seemed to have set him 20 years in the past, he seems to associate Gordon with good memories from before the res-cas and the combine, he makes constant nostalgic throwbacks and quips about Gordon, it honestly felt like he was dying to rekindle that old friendship. It feels like he’s trying to push out the bad memories, not wanting to acknowledge what actually happened because despite every single throwback he never once mentions the resonance cascade or anything that happened afterwards, it’s all good memories. I think that Gordon (realistically) would need someone to talk to about everything that happened, he never got a moment to really process anything, being constantly on the move, and out of everyone there Barney is kind of the only person that could understand; but with Barney being a resistance leader I feel like he’d gotten used to hiding his feelings and putting up a strong front for the sake of other people, being a leader part of his responsibility is keeping everyone in good spirits, in turn I think he’d have a hard time being vulnerable around others.

This short comic is kind of a play on that, Gordon wanting to talk to Barney about it, just needing some sort of reassurance, and what better way then talking to your old best friend about it? Gordon’s presence making Barney feel like the good ol’ days for a moment, he views Gordon with such a warmth that for a moment he forgets the world sucks.

Before being harshly reminded of the past he’d been pushing so far out his mind in order to be in best spirits during what is the most important mission of his entire life, and trying to shut down any conversation about it in order to not dwell on the past during an extremely stressful and important mission.

I’ve been thinking about freehoun so much if you couldn’t tell.

[ruleofheart]

growing pains — ellie williams

ellie williams x f reader

7k

fluff, angst, smut >O<

ellie if nothing bad happened to her ever, childhood friends to acquaintances(?) to lovers, longing, joel is involved, ellie is a DWEEB! but so are you, car sex, classic misunderstandings

to the lovely folks that asked to be tagged, i hope this meets your expectations… i am terrified of failing you: @macaroni676 @d3sperationn @g3latin

beta read by @heartofrhea my best friend my apologies for being cringelord

The universe can be so cruel. 

You sit at the edge of the curb, curling your legs to yourself to feel less vulnerable. Your phone rolls in your hand, tears of frustration prickling at your eyes. You probably should’ve known better. Well— you do know better. That sinking, intuitive feeling had been swirling in the center of your stomach all night, but you had let your desperation and loneliness take ahold of you. 

You had agreed to go out with some friends and some friends of friends; people you didn’t know jackshit about, but hung out with anyway. You had hoped you didn’t reek of seclusion too bad, feeling like a wounded animal in a crowd of predators. 

But your friends and their friends didn’t really care. They had pulled away from you in the club, losing you to flashing lights and crowded bodies. You searched up and down, called their names in the dingy bathrooms, and even asked the bartender. No dice; you were here to party alone. Now what was the point of even coming along?

Silly.

You initially opted to order an Uber to just get the fuck off the street already, but hey— it’s a Friday night and finals are over. The prices listed cost more than six different coffee runs, and there’s no way you’d be giving those up. 

It’s how you end up sitting on the curb and fervently wiping your tears away, cringing when you remember your hands had been touching all the club door handles and god knows what else. You feel dirty, forgotten. 

You unlock your phone and dim the brightness— the stupid thing almost all out of battery— and turn to what seems to be a last resort, an option that you’ve buried away at the back of your mind for years now.

Pressing your phone to your ear, you can’t help but sigh as the line rings repeatedly, almost positive that you’re completely out of luck. 

It falls silent for a second before there’s faint rustling on the other side, and a voice so familiar, so painful to hear, questions you softly. 

“Ellie,” you say breathlessly; from fatigue or relief, you’re not sure anymore. “Can you come get me?” 

Becoming friends with Ellie Williams was almost too easy. 

That’s just how she is as a person. So easy to be around; her voice and twinkling laugh showing no threat. 

It began with Mrs. Sullivan’s freshman class seating chart; a table of four with you, Ellie, and two other boys who were too preoccupied with copying off each other’s notes half the time for you to even remember their names. You mostly kept to yourself as a weird adolescent, the onslaught of teenage hormones and emotions forcing you into your own little world. 

Ellie, on the other hand, was different. She had noticed the front page cover of Savage Starlight slipped into the front sleeve of your binder, the edges frayed and jagged as if you had actually ripped it off. She was almost offended at the sight of such a careless pull, but found the emotion wavering once she realized you read the comics just like her. 

“Hey! No way!” she had exclaimed with a growing smile, her eyes lit up. She had half a mind to just reach over and take your binder, fingers skimming over the glossy cover. She stopped herself mid-way, mind racing before she asked with just as much glee, “Can I see? I don’t think I’ve been able to get ahold of that edition yet.” 

Your short-lived conversations about Savage Starlight began to transform into lunchroom giggle sessions and bike rides on the way home. She was so easy to fall into; it was almost like she had a part of herself that was reserved just for you, eager for your arrival.

The thing about your dynamic was that it was so intricately woven over time, each thread of yourself intertwining with her own as you came to know each other better. Unabashed adoration and excitement with every laugh, with every moment of eye contact across the classroom and dinner table at home: a twinkle of unwavering youth and closeness.

And the thing was, when it came to you, Ellie was not prideful at all. She would openly admit any given moment that there had to be a hole in her heart that was in the shape of you. The two of you fit so nicely in each other’s lives, slipping into a familiar rhythm that almost seemed karmic, even at such a young age. While you were surrounded by other girls your age navigating their own pent up emotions and typical coming-of-age realizations, turning against each other and whispering dirty secrets, Ellie only seemed to cling onto you— hanging onto your every word with sincerity and trust.

It didn’t take long before Ellie began to invite you over to sleepovers, which was new territory for both her and Joel. He was already a little awkward as-is, navigating life with a teenage girl who had the same foul mouth and temperament as he.

So when you came around, greeting him with little smiles and kind language, he couldn’t help but feel his heart sway in relief, happy that Ellie has someone like you in her life. 

You’d tumble off your bikes, leaving them strewn across the front yard, crushing the grass he labored so hard over. But he didn’t mind, relieved to see the two of you arrive in one piece, losing yourself in video game releases and comic book pages as you both sat in her bedroom. 

Joel became a sort of fly on the wall for you two, ever-present as you were fairly comfortable in their home. Tuning the both of you in and out, listening closely for anything that may alarm him (which, never happened). Sitting across the both of you at the dinner table, serving up a quick and easy bowl of Hamburger Helper to you two. He’d glance at the two of you from under his eyelashes, watching how either you or Ellie would lean into each other as you splayed out homework sheets on the table, muttering to each other in curiosity. The two of you may have been better off sharing a single chair, he’d think to himself in amusement. 

Again, your presence in Ellie’s life and in his home never worried him. It became routine for him as well, watching the two of you bike up the block together almost every day after school. 

One hot summer afternoon, he stood on the porch, prying off the entrance screen door in an attempt to replace it, the critters from the greenbelt nearby winning at their efforts to nibble away at the material. 

From afar, he could hear the growing sound of your chattering, your bike chains clicking repeatedly as you breezed down the sidewalk. He glanced over his shoulder, watching as you two fought amicably, reaching out to each other in a playful attempt to push the other off their bike. He chuckled to himself and turned his gaze back to the screen door, fingers prying at the edges. 

Behind him, Ellie reached a little too far to the side, fingers brushing against your arm before she toppled over sideways off her bike. She collapsed with a laugh-yelp, swearing at you in a way that made you burst out laughing, your shoes dragging across the concrete to stop your bike. 

You hopped off your seat, carelessly letting it fall to the side as you approached Ellie, laughing at her as she pushed herself off the ground. 

“You idiot,” you breathed out in between laughs, nearly folding in on yourself as the incident repeated in your mind. 

“Dude!” she scolded lightheartedly, trying to feign annoyance, and of course failing. She stuck out her arm to show you a deep scrape right above her elbow. “This shit burns.” 

You caught your breath and stepped closer, eyeing the scrape. It was rather gnarly, and you inwardly winced at yourself knowing it was probably going to scab horribly.

“Damn,” you muttered to yourself, holding her arm and twisting it to get a better look. Joel eyed the way you two interacted, pulling away from his task as he glimpsed the bloody splotch on Ellie’s elbow. 

From where he was, he couldn’t exactly make out the words that you two exchanged, your voices lowered significantly. From the look of it, you were offering an apology. He didn’t catch the way you smiled up at her apologetically, but he was positive that his mind wasn’t playing tricks on him when you leaned in and placed a harmless, healing kiss onto her arm, right above the scrape.

It was, in reality, lighthearted and childish. A testament to your playfulness, your eagerness to please Ellie’s heart. 

And although Ellie didn’t realize it, there was a flicker of emotion that crossed her face. A change in her eyes; in the way that she looked at you. It flew over your head, too; busy smiling up at her, pulling her closer with the strength of the sun’s gravity. 

But Joel noticed. He caught this sudden change, this glimmer on Ellie’s face. He felt the complexities of youth and new emotion washing over him again, a short chuckle leaving his lips as he turned away, focusing back on fixing the screen door. 

Later that night, he pulled Ellie aside. 

“Hey, kid. I’m gonna need you to keep the door open when she’s around, alright?”

“What?” Ellie asked, utterly oblivious. A look of distaste flittered across her features. 

He was trying to remain as nonchalant as possible, knowing all too well that if he pushed too hard or looked too stern, Ellie would just defy him out of her own stubborn nature. He folded some blankets over the couch, eyes avoiding hers. “Just keep it open, Ellie.” 

She groaned in annoyance and threw her head back, hands falling to her sides. She looked truly exasperated, confused with this sudden change in house rules. 

That night, as the door remained cracked open, Joel walked by Ellie’s bedroom to sort some towels in the hallway closet. His ears picked up her frustrated tone; “…wants me to leave the door open now. Never heard of a rule as stupid as that, but whatever.” 

You giggled calmly, then fell silent for a second. “It’s okay. My mom has that rule too, for my brother and his girlfriend.” 

And he could almost hear the way Ellie’s face scrunched up, a confused groan escaping her again. She failed to reply, and the topic at hand was dropped as soon as you leaned over to her and showed her a page from a new comic, rambling on about how the plot hole in this series was diabolical. 

He silently walked away, mind wandering as he tried to think about how to approach this blooming situation, a flicker of both hope and protection illuminating in his chest. 

It was junior year of high school when the foundation of your friendship began to split, allowing something else to slip into it. Something sneaky, deceitful, something that constantly rendered you speechless and warm. 

You no longer rode your bikes or shared comic books; you were much too old for that now! Ellie had just gotten her license, a little too eager to drive Joel’s old beat up truck around with you in the passenger seat. And, of course, the both of you felt like true teenagers when you finally got phones.

You sat on Ellie’s bed, your knees pulled to your chest as you scrolled through your timeline. You giggled at random collages of pictures and videos, occasionally showing your screen to Ellie in hopes that she would laugh with you. 

She sat on the other end of the bed, a rolled joint held delicately in her fingers. Joel wasn’t home, and her bedroom door was closed. The walls of her bedroom trapped the both of you with the smell of it, but you were slowly learning to not mind it as much. 

When you first received a phone, you found yourself diving into social media, trying to keep up with this sudden boom of a new language, new jokes, new form of communication. Ellie, on the other hand, never touched her phone. If she was using it, it was probably because she was texting you. She refused to engage with any social media at all, meaning you had to sit and explain new jokes and trends to her. Sometimes, she’d try her hand at new lingo or an ongoing joke, but failed so miserably each time that you’d roll over her bedsheets in laughter. 

She pressed the joint to her lips, eyes lazy as she looked at you with longing. The brightness from your screen illuminated your face, emphasizing every beauty mark and freckle. 

“Hey,” she started, voice low. “C’mere.” 

You looked up at her in curiosity, putting your phone down. Your eyes stayed trained on her as you scooted closer, the sides of your legs pressing against hers. 

She wasn’t sure if it was the smoke or the way that you peered up at her that made the center of her body feel warm. She tilted her head away from you as she exhaled, the smoke clouding the space between you two; your heart thundered in your chest. 

“Almost done,” she promised, voice only a little raspy. “Missed you; that thing is hoarding all your attention.” The corners of her mouth twitched. 

“Is not!” you defended, shoving her shoulder with your own. “I’m right here.” 

“Yeah,” she began, her hand coming up to tap at your head playfully. “But you’re not here. Let’s do something; been wanting to play a few rounds of that old zombie game.”

It was how you end up pressed into each other’s sides, hollering and giggling at the tiny TV screen on her bedroom dresser. You played erratically, your fingers relying on nonsensical button smashing to survive. Ellie had to constantly revive you every five minutes, but never mentioned it. 

She missed the way you squealed in anticipation with every new round that started, your eyes wide as you spoke with a constant smile. And, maybe it was from her high, but she was a little too intent in the way that she watched you, her mind feeling far away as she memorized every crevice of your face from the side. 

“Ellie!” you scolded, bringing her out of her daze. “No way you already died, the round just started!” 

She turned her attention back to the screen, scoffing as her player screen was black and white, her character eye-level with the ground. 

“Damn,” she muttered, surprised that she let herself slack off for so long. Too lost in your side profile, the dip of your lips, the way your lashes fluttered in surprise when a zombie attacked you in-game. 

Your character raced towards her, shooting around sloppily before you pressed the buttons to revive her. Her hand found itself on the top of your thigh, right above your knee. Perhaps it was the fogginess of her mind, or a newfound boldness that spurts through her; but she squeezed at your leg, her eyes stuck on the screen. “Thanks,” she says a little too nonchalantly, like that was completely normal. 

You swallowed thickly, your own movements faltering. There was a red ring forming around your player screen, indicating that you were being ruthlessly attacked. 

She snickered, her voice playful. “Focus.” 

The two of you kept on, your mind instead slipping up and focusing a little too hard on the way she touched you. 

It was senior year when that particular, sneaky something begins to widen the cracks in your relationship. A feeling that blurred your vision, blurred your mind. A feeling that made it impossible to correctly decipher whatever it was that Ellie was going through, and the two of you began to fall apart. 

It mostly started when Ellie got a job at a skate shop. For the most part, it was relaxed, her days consisting of seeing the same people come and go for wheels and decks. But it meant that she had less time to spend with you. 

Initially, she would use every single day off to see you. To invite you over or to laze around on your fluffy duvet, listening to you ramble about your nervousness as graduation was approaching. She would take you out, spoil you rotten with the excitement of her new paychecks, saying fuck all to saving any money. 

And in reality, you didn’t care about the way she spoiled you; granted, it was nice and certainly made your heart beat a certain way, but you mostly valued that she made the effort to see you still. Exchanging silent words and looks across the classroom was no longer sufficing your yearning heart. 

Months passed and Ellie started to become a little bit more focused on balancing school and work; she was set on saving as college approaches, and you figured that the prospect of growing up had changed her. She was set on a college, set on astrophysics, set on buying Joel some land and maybe, hopefully, spoiling you some more in a few years down the line…

But she was maybe a little too caught up in it. She saw you less and less, accidentally channeling her friendly energy to her coworkers. And while you knew there was nothing wrong with that, you couldn’t help the bitter taste that rested on your tongue when she constantly brought up the names of others that you’d heard of countless times. A part of you wanted to turn to her, ask her so pathetically, why can’t you do the same with me?

You started to really feel like you were losing her when you finally got the chance to sit in her room again, the both of you babbling about what you think college will look like. At first, the comfort of her poster-covered walls and space trinkets settled your restless heart, and you had felt at home with her again. 

It wasn’t until she slipped away to use the restroom, leaving her phone on her bed. The screen illuminated as it buzzed once, twice— three times. You should’ve left it alone, thinking maybe it was Joel warning her he’d be late from work. But you leaned over anyway, reading over the text on the screen.

For one, it was a coworker. You recognized the name on the notification; and for some reason, when you realized it was from the only other girl at her workplace, a horrible feeling nestled into your stomach. 

And then you couldn’t help the minor feeling of betrayal as you realized they had been messaging each other on a social media platform; one of the many things Ellie swore up and down that she’d stay away from. 

You didn’t even follow her on there. She never told you. 

It’s silly, you thought. Ellie can do whatever she pleased. But this new turn of events, this tiny thing that was still so out of character; the foundation between you two felt almost completely severed. 

Weeks passed from that day and you them found yourself pulling away. The both of you were accepted into the same college, but you couldn’t even find it in yourself to feel excited. Ellie begged you to fill out your housing papers on time so that the two of you could be roommates, but you purposefully procrastinated. You weren’t sure you could handle such close proximity with her anymore. 

It was with this that the gap between the both of you widened. She didn’t drive you home anymore; it was time to put your own license to use. You two no longer exchanged knowing looks across the room, and you sure as hell didn’t share dinner with Joel anymore, either. You started to forget the exact layout of her bedroom. 

Graduation came and went; you spent it in solitude, not really counting the presence of your family members. Ellie did race up to you and gave you a bone crushing hug, nose burying into your hair, but you were so caught up in it all that you didn’t reciprocate it. 

It was another one of those minor things that widened the gap, made her step away from you both physically and emotionally. 

Even when Joel offhandedly mentioned that he’d be okay with helping you move into your dorm, Ellie made up some excuse on the fly; saying your brother had it covered. She hadn’t even asked you.

So, just like that, summer passed in a blink. You spent your days curled up in your bed, wallowing. Ellie spent it trying to distract herself, losing herself in the presence of coworkers-turned-close-friends. You shamefully stalked her social media, tears pricking at your eyes as she posted places and things that seem so fun, so far away. Places and things that you would’ve liked. 

What hurt more was the constant questioning from your family. Where’s Ellie? What’s she up to?

Hell if you knew. You’d been relying on her story highlights for snippets of her life, and even then they were still so vague. Scenery, music, her guitar. Someone else’s hands holding a deck of cards, videos with incessant giggling in the background. God, you were almost sickly with both wanting and loneliness. 

And, just like that, it was freshman year again. This time, there was no seating chart. No binder for you to slip comic book covers into. No comfort of hopping on your bike and riding home with the only person that matters at your side. 

You were in some sort of emotional purgatory. Your mind blank as you walked around campus, as you stared at your laptop screen in the dead of night, body aching as you slumped over and completed your coursework. The excitement and late nights that you and Ellie had planned were nowhere to be found. 

On the other hand, Ellie busied herself so much, she found that she almost forgot you. Almost. 

Burying herself into her homework, mind trying its hardest to wrap around these new concepts. Partying, though she wasn’t not really there. Smoking some, drinking some. It all still felt lonely. 

She was enjoying this new group of friends, but they didn’t amount to the certain someone that still had their shape, their initials carved into the center of her heart. It was almost unbearable to exist without you; the two of you blending into each other so well, she still found herself saying things the way you did— the intonation, the little lingo, the mannerisms. Your existence was embedded into her own, folding over into her psyche so compact-tight, she knew she could never escape you. 

Ellie assumed that now, at this point, it was about carrying you in her soul even though you were no longer around. The beauty of this life; she’d lost you, but not entirely. Your personality reflecting in her own no matter what, no matter how hard she tried. Her existence was a testament to your own— someone’s been here. Someone’s loved me. 

Weeks passed. Months passed. The both of you constantly shuffling across the same campus, yet never running into each other. Your text messages now buried underneath more recent threads, your shared playlist long forgotten and neglected. 

Winter break hit and the loneliness bit just as much as the cold. When Ellie returned home, she noticed her old bike in the garage, propped up against storage bins, the tires flat. When you returned home, you came back to photos of the both of you, pinned to your wall. Your breath stuttered in your throat as you took them down, throwing them into a box in your closet. 

At the same time, yet separately, the both of you traversed new grounds, and odd fucked up forms of grief. Being in your own space yet running into things that reminded you of someone that you wanted the most. And it wasn’t not like they were gone; yet the both of you let go, deciding that somehow, it was for the better. 

The cycle repeated as the seasons changed. Instead of actually moving on, the both of you just somehow got better at repressing your emotions and acting like nothing happened. Occasionally reflecting on your friendship in a daydream, and then reminding yourself that somehow, it just wasn’t meant to be. It was time to move on— she was never yours. 

It’s summer now, the end of junior year. Ellie’s at her friend’s place, sipping on a poorly made drink as they play card games and tune into a new season of a trending series. She’s cross-legged on the floor, smiling to herself as her friends talk over each other, slamming the cards down on the coffee table and trying to warp the rules in their own favor. It’s fun, and it’s easy to sit back and watch everything unfold. 

She feels her phone in her back pocket vibrating; assuming it’s Joel just checking up on her, she gets up and excuses herself, slipping out the back porch door. 

When she reaches for her phone, her heart nearly stops beating altogether. In fact, she’s sure it does, as her stomach suddenly twists in confusion and pain, a small cough leaving her lips as she tries to collect herself. Your name shines on her screen as you call, and she’s so sure she’s hallucinating (the hell was in that drink?) until she swallows her surprise and answers. 

And there you are. Breathless, exhausted. Immediately, she knows. Despite it being so long, despite the fact that she’s not entirely sure she knows you anymore, she still recognizes the tone in your voice, recognizes that you needed her. 

“Where are you?” she blurts before you can finish your sentence, her body automatically pacing around. “Send me the address.” 

You’re apologetic, sounding defeated on the other side. You tell her over and over again, I’m sorry.

There’s weight behind the way you say it, like you’re apologizing for something more. Like you’re counting all those times you shut her out, the times you let her slip through your fingers. It’s weak and shaky, but Ellie doesn’t bring it up. She’s too busy slipping on her shoes, keys dangling from her fingers as she mouths to her friends that she’ll see them later. 

She stays with you on the phone the entire time she drives over to get you. She asks, over and over again, if you’re okay and in a safe area, and your heart twists with guilt and shame. You stay planted on the edge of the curb, looking like a wilted flower.

Ellie feels her heart drop to her stomach as she approaches the street that you sit on, her headlights illuminating your pathetic figure. She rolls down the window and pulls over, calling out to you. 

Your eyes are low, the shame blatantly evident on your face. Ellie’s not sure how this will unfold; this isn’t exactly the way she dreamed the two of you would reunite. But that look on your face— Ellie knows it well enough. You’re both 15 again, and you’re trying to hide within your own body somehow. She sees the embarrassment, the bitter feeling that sits at the center of your chest. 

You approach her car and observe at her through the window, eyes avoiding her own. You study her form, how much she’s grown. She’s got a new haircut; it’s shorter— gayer. You can almost imagine yourself laughing at her, can almost imagine twirling the short pieces between your fingers. A patch of black ink catches your eye just then, your gaze landing on her forearm. Since when did she get a tattoo? 

She unlocks the door, silently beckoning you in. You slump into the passenger seat, completely defeated, and she reads your body language well enough to know not to pry at the situation. 

She shifts the car into drive but realizes that she doesn’t even know where you live anymore. The car sits there, idle as she tries to figure out what to ask you and how, then you mutter the directions to your apartment, reading her confusion just as well. 

The sound of Ellie’s music is quiet, practically just a gentle hum as the two of you sit, rigid as you keep your gazes locked on the road ahead. You don’t intend to explain yourself or have some sort of emotional come-to-jesus moment with Ellie, figuring that this situation alone is already stressful enough. 

But, she clears her throat and opens her mouth to speak, eyes still locked on the street signs. “You see the trailer for the new Savage Starlight adaptation?” 

You give her an awkward chuckle. “Yeah,” you say, nearly whispering. “Looked like trash, honestly.”

Ellie laughs at that. Laughs. And god, it’s not the kind of laugh that kills her, but it’s a solid one; an honest one. It sounds so good as it erupts from her chest, the sound of it pouring into your ears and over your heart. Christ. 

Your eyebrow twitches and you have to turn your head to look out the window— you can’t let her see the look on your face. You’re sure your eyes are wide and pooling with some sort of desperation. 

And, of course, Ellie catches it. But she just cares too much about you, so she lets all these little thing slip by to keep you comfortable, to keep you with her for even just a second longer. 

The conversation stays trained on little comments, acknowledging new video game releases and comic book trailers as if the both of you are in high school again, caught up in your nerdy obsessions. The air is thick and steady; the both of you dancing around this thinly-veiled attempt to be normal. The smallest things, such as the sound of her clearing her throat, or her hand coming up to scratch at her cheek, make your skin crawl with anticipation. 

You brace yourself for the ball to drop, holding it so tight to your chest, you’re almost suffocating. 

And while there’s no way you’ll drop this act, desperately clutching onto this feeling of faux normalcy, you know Ellie will. She’s much too blunt and forward focused to let you both sit in this awkward, paper-doll like scenario; steadily crafting your sentences, training your eyes to avoid her. 

And, god— it’s almost too easy to let your body relax, to slip back into your old comfortable patterns with Ellie right next to you. Because she’s never been prideful, and never will be, with the way she smiles to herself and breathes: “I missed you. It’s been… really long,” she says the last part with a bittersweet chuckle. “Too long.” 

Your chest caves. Stupidly, eagerly, almost like it wanted to, this whole time. Your body feels prickly and warm, but you school your face to remain somewhat neutral. 

“Yeah,” you offer dryly. “I’m kind of surprised, actually.” 

At that, Ellie tilts her head, fingers fluttering around the steering wheel. “How come?” 

“That, like, you even showed up. And you’re actually being nice and taking me home. I figured you kinda hated my guts towards the end.”

Ellie’s body has a physical reaction to that, and she taps on the brakes by accident. Not hard enough to send the both of you flying forward, but just enough of a push. You whip your head towards her, watching the way she furrows her eyebrows and shakes her head. 

“Sorry. Not trying to be defensive, but why…” She swallows thickly. “Why would you think that? And of me, of all people?”

She’s so, so gentle with the way she says it. Her voice quiet and low, not wanting to scare you away with this sudden confrontation. She reeks of true curiosity and something else that seems like hurt. 

“I just,” you start, trying to gather your words, then pause, not really recognizing where Ellie is driving. “Hold on. Where are you—?”

She pulls into an empty parking lot, stopping the car at an awkward angle, careless about her parking etiquette. 

“I’m sorry. I really just wanna clarify things,” she breathes out, her tone hurried as if you’ll slip and fade away if she doesn’t explain herself fast enough. “But, if you want me to completely fuck off, I’ll take you home. Just tell me.” 

You remain quiet, looking at her with a face that reads half anxious, half eager. A mix of the two, both emotions so similar in nature that maybe it kind of looks like… excitement. 

Ellie turns her body in her seat so that she can face you directly. “I was never tired of you, ever.” She takes in a slow, deep breath, trying to pace herself and keep her voice steady. With you, she can become passionate very quickly, so she needs to remain cool. “If anything, I thought that you felt that way about me. You stopped comin’ around, didn’t even try to room with me, and completely bailed on my attempts to see you. Did I do something?” 

She’s completely disarmed. Her words woven with nothing but good intentions, the look on her face desperate for some sort of reconciliation. She eyes you carefully, and if you looked hard enough, you may have been able to catch the glimmer of want in her eyes. 

Overcome with emotion, you fumble. Too busy with wanting to just defend yourself, swinging around your sword with your eyes shut in the hopes that you won’t get hurt, you don’t even try to match her energy. 

“Well, yeah,” you bite back, not nearly as careful as she was. “You changed. Everything changed. You made other friends, new friends, and just left me behind,” you accuse sharply, not thinking straight. “You… went behind my back.”

Despite the way that you speak to her, Ellie’s face softens. She knows what this is about. She’s too understanding, too willing to do anything to get you back in her life. As the realization slowly dawns on her, her heart flutters both with yearning and a deeper need. 

It’s how you end up pressed against the backseat of her car, her mouth on yours as her hands roam freely around your body. You shut up rather quickly, mind blurring over with the oncoming release of years of pent-up wanting. You tried to keep arguing back at her, and she did nothing but talk to you in that sweet tone, with eyes that scream I love you.

It isn’t that she’s trying to coax you, or anything. It just happened as you begin to increasingly realize that she is not going to fight you; she just wants you. She needs you to know that, she has to make herself clear. 

Fog creeps up the car windows as she presses her knee in between your legs, rocking against you slowly. 

Ellie’s pacing herself; she’s thought about this a few times, guiltily. But in her mind, it’s always been in her bed, her mind crafting the scene of your body, your little sounds. It was like she had to slap her own hand away from herself sometimes. 

So while this isn’t exactly what she had daydreamed it would be, she still wouldn’t complain. Regardless of the situation, you were pressed into her, panting and sighing in ways that made her mind turn to soppy mush, overrun with desire and emotion. 

And, while she’s set on taking care of you and showing you just how much you meant and still mean to her, she can’t help but want to make you admit it too. 

She pulls back from kissing you, her eyes glazed over as she looks at your face. Holy shit.

Skin so warm, and you already look spent. She swallows, suddenly doubting how long she’ll be able to hold off. 

She bites back a satisfied smile before she dips down again, her face hidden in the crevice between your neck and shoulder, kissing all the way down. 

“Take this off,” she murmurs, fingers pulling at the waistband of your skirt. You do your best to follow her orders, cramped up in the seat, pulling your knees towards yourself in an attempt to shimmy out of the fabric. It catches on your ankle, hanging, and you giggle at the state of the situation. Ellie’s heart melts over itself, beating erratically; she’s going fucking crazy. 

You’ve done nothing but moan, twitch, laugh, and flutter your lashes. She hasn’t even felt you yet, hasn’t even seen your body in its entirety. And she’s gone. 

She almost raises an eyebrow at the sight of your skimpy little underwear, but her question catches in her throat. You were at the club, after all. Something sinks in her stomach at the thought of anyone else seeing you like this, observing the way the fabric clings onto you. 

Her fingers massage at your inner thighs, her knee firm in place as she keeps them set apart. Her digits dance right against your core, pressing against the fabric. You twitch, rolling your hips into her, fingers catching on the seatbelt behind you, gripping on for life. She laughs, but not necessarily at you. 

It feels like it takes her years (well, technically) to push your panties to the side, eyes falling hazy as she stares right into you. You’re so vulnerable, you try shutting your thighs close, but she pushes them apart again. 

“I know,” she hushes you, dipping lower to nip at your lips. “I know.” 

Her fingers trace over your folds, and you think you’re about to explode. You hadn’t expected Ellie to be the type to make this agonizing and painful, but you know you probably deserve it after your showcase of attitude. 

She draws her hand back and brings her fingers up to her mouth, sucking on them nonchalantly. A satisfied sigh escapes her as she finally, finally gets to taste you on her tongue. She lets her hand travel back down, and you turn your head to the side, shutting your eyes in anticipation. 

“Look at me,” she commands softly, stopping her fingers right where you want her. 

You nod, giving her the false promise that you will. Ellie sees right through it, and with her free hand she gently grips onto your face, turning you to make eye contact with her. 

She needed to see your face as she fucked you, she needed to know, after so long of wondering, how you looked when facing pure pleasure. 

Your lashes flutter, eyebrows screwing together as she slips her fingers inside your warmth, pressing the heel of her palm against your clit. She’s gentle in the way she stretches you out, working you through it with such care and patience. 

Ellie revels in the way your chest heaves already, pupils blown out with bliss. She moves her knee and lets you shut your thighs together, trapping her hand in place. 

“This is all you needed, huh?” she teases, her voice only a little prickly, but her smile says otherwise. “For me to touch you like this.” 

You nod silently, too busy biting on your bottom lip and rocking your body onto her fingers to reply. 

“Answer me,” she demands with the same softness, setting the tone. Her gaze is locked onto your face, memorizing every twitch of your brow, every whine that leaves your lips. 

It’s almost ridiculous how brainless you are already, melting beneath her entirely. 

“Needed you,” you manage to breathe out, nodding your head again. “So bad.”

Ellie hisses a swear, and she can’t help the way she leans into you, pressing her body against yours. She curls her fingers inside of you, the palm of her hand nudging at your eager bud. She groans to herself as she feels your walls twitch around her digits, her head dropping low as if she has to stop herself from spiraling. She’s hanging on by a thread; a hair, wanting nothing more than to fuck you senseless. But it’s been too long, and she’s got something to prove to you. 

Her eyes shine as she feels your body grow tense, your wriggling becoming more constant. She slows down her pace, watching closely as your mouth drops, a pout playing at your lips. 

“Please,” you begin, and she smiles. 

“Please what?” 

“Please, fucking just,” you try grinding on her fingers, lashes fluttering. “Oh my god,” you sigh, that little attitude trickling in your tone. 

She scoffs, almost meanly. She stops her movements entirely, fingers falling slack in your pussy. “Yeah? Do it yourself, then.” 

And to her surprise, you do. That attitude is wiped clean from your voice as you whimper pathetically, body rolling, walls fluttering as you try to fuck yourself with her fingers. She stares at you in awe, throat running dry. 

It takes her a second, but she blinks and she’s falling back into you. Watching as you desperately chase your release, bumping your clit onto her hand, and you absentmindedly grab onto her arm, trying to anchor yourself. 

She sucks her teeth and sighs to herself. She had intended to drag this out, to make you beg, to make you say that you were hers all along. But with the way you hold onto her, shamelessly rutting your hips, her name falling off your lips like a prayer— she already knows it’s all true. 

She’s kind enough to start thrusting her fingers again, moaning at the way your slick bundles at your entrance, coating her fingers and slipping down her hand. It’s obscene, but she doesn’t care. In fact, it gives her more of a reason to clean you up afterward. 

“Ellie,” you breathe suddenly, your little prayers becoming less coherent as a certain feeling creeps around, engulfing your body and mind. “I’m gonna cum,” you whine shamelessly, the heat in your stomach spreading lower and lower, your body tingling. 

She leans over you again, watching over your face as your eyes slip shut. 

“Go ahead, baby. Let me hear you.” 

It’s a demand but she still says it so softly, a certain tenderness behind her words. You choke on your own moan, body practically seizing as your thighs tighten, fingers digging into her arm. You chant a repeated I can’t, I can’t, I can’t, and Ellie smiles as you do anyway, your cunt swallowing her fingers with your release. 

Her hand relentlessly slaps against your core, even though you begin to tear up and beg for her to stop. She smiles to herself before she slowly drags her fingers out of you, bringing them back up into her mouth. 

It’s not nearly enough. While you slump back into the seat, panting, body still shaky from such strong sensations, she’s busy maneuvering her body to sit on the floor of the car and propping your legs onto her shoulders. 

You blink as you slowly come back to reality, your mind hazy. 

“Ellie,” you start softly, reaching out your hand. 

She reaches up and intertwines your fingers, eyes locked on your dripping cunt as her voice carries over to your ears. “I’m right here. Can’t let it go to waste.” 

Your eyes roll back, another string of moans escaping you as Ellie shuts her eyes and latches onto your clit, moaning into your pussy. 

The hours of the night escape both of you, becoming lost in each other in the back of her car, cementing your fate. 

Ellie laughs at your blank expression, her hand rubbing down her face in disbelief. 

“That was so… garbage. Beyond garbage. Landfill levels of trash,” you say weakly, the soft lights of the movie theater reflecting off your face. 

She continues giggling at your side, hand over her mouth in an attempt to be quiet despite the fact that the movie is already over. 

You playfully swat at her arm, turning to her, face ridden with shock. “There’s no way you’re not disappointed! This shit was such a waste of money. We were better off pirating it.” 

She shakes her head and smiles to herself, hand wrapping around your own as she pulls you to stand up with her. “I think it was well worth it; it was, like, funny bad.” 

You stand, wrapping your arm around her own as you two trail down the steps of the theater. You continue picking the movie apart, disdain in your voice. You have a reason to be passionate; this lazy attempt at turning Savage Starlight into a box office success had taken a terrible turn, the movie filled with stupid one-liners and god awful acting. 

You should’ve known; it’s been a month since the trailer dropped— or, since you and Ellie came back together. A month of everything falling into place, the pieces of your individual lives slipping back into the way they used to be. A month of constant, whispered confessions, making up for lost time; lovelorn kisses, touches fueled by years of yearning. Pursuing your lives together again, and of course, falling back into your geeky little habits— the one thing that brought you together in the first place, anyway.

You shouldn’t have walked in with such high expectations after the both of you predicted how awful it was gonna be once you both sat down to rewatch the trailers together. 

As the two of you make it outside of the building, Ellie bites her cheek at the way you continue to ramble, the passion in your voice making her heart swell. There is just too much to adore about you. 

“Hey,” she starts, voice low. 

You raise your eyebrows. “What?”

Ellie nods her chin in the direction of her car, mischief written all over her face. “I know a way to give you a happy ending.”

You groan in annoyance, pushing her away. Your voice rings out and into her ears, settling her restless heart as you scold her, a smile showing through.

“Ellie!”

[wifelinkmtg]

TUMBLR POST EDITOR WON'T LET ME TITLE THIS POST ANYMORE SO I GUESS THIS IS THE TITLE NOW. WEBBED SITE INNIT

So let's say you grew up in the nineties and that The Lion King was an important movie to you. Let's say that the character of Scar - snarling, ambitious, condescending, effeminate Scar - stirred feelings in you which you had no words for as a child. And then let's say, many years later, you're talking about it with a college friend, and you say something like, "oh man, I think Scar was some sort of gay awakening for me," and she fixes you with this level stare and says, "Scar was a fascist. What's the matter with you?"

The immediate feeling is not unlike missing a step: hang on, what's happening, what did I miss? You knew there were goose-stepping hyenas in "Be Prepared," but you didn't think it mattered that much. He's the bad guy, after all, and the movie's just pointing it out. Your friend says it's more than that: the visuals of the song are directly referencing the Nuremberg rallies. They're practically an homage to Riefenstahl. This was your sexual awakening? Is this why you're so into peaked caps and leather, then? Subliminal nazi kink, perhaps?

And then one of your other friends cuts in. "Hold up," he says, "let's think about what Scar actually did in the movie. He organized a group of racialized outcasts and led them against a predatory monarchy. Why are you so keen to defend their hereditary rule? Scar's the good guy here." The conversation immediately descends into a verbal slap fight about who the real bad guy is, whether Scar's regime was actually responsible for the ecological devastation of the Pride Lands, whether the hyenas actually count as "racialized" because James Earl Jones voiced Mufasa after all. Your Catholic friend starts saying some strange and frankly concerning shit about Natural Law. Someone brings The Lion King 2 into it. You leave the conversation feeling a little bit lost and a little bit anxious. What were we even talking about?

INTRODUCING: THE DITCH

There is a way of reading texts which I'm afraid is pervasive, which has as its most classical expression the smug obsession with trivia and minutiae you find in a certain vein of comic book fan. "Who was the first Green Lantern? What was his weakness? Do you even know the Green Lantern Oath?" It eschews the subjective in favor of definitively knowable fact. You can't argue with this guy that, say, Alan Scott shouldn't really count as the first Green Lantern because his whole deal is so radically different from the Hal Jordan/John Stewart/Guy Gardner Corps-era Lanterns, because this guy will simply say "but he's called Green Lantern. Says so right on the cover. Checkmate." This approach to reading a text is fundamentally 1) emotionally detached (there's a reason the joke goes, oh you like X band? name three of their songs - and not, which of their songs means the most to you? which of them came into your life at exactly the right moment to tell you exactly what you needed to hear just then?) and 2) defensive. It's a stance that is designed not to lose arguments. It says so right on the cover. Checkmate.

And then you get the guys who are like "well obviously Bruce Wayne could do far more as a billionaire to solve societal problems by using his tremendous wealth to address systemic issues instead of dressing up as a bat and punching mental patients in the head," and these guys have half a point but they're basically in the same ditch butting heads with the "well, actually" guys, and can we not simply extricate ourselves from the ditch entirely?

So, okay, let's return to our initial example. Scar is portrayed using Nazi iconography - the goose-stepping, the monumentality, the Nuremberg Lichtdom. He is also flamboyant and effete. He unifies and leads a group of downtrodden exiles to overthrow an absolute monarch. He's also a self-serving despot on whose rule Heaven Itself turns its back. You can't reconcile these things from within the ditch - or if you can, the attempt is likely to be ad-hoc supposition and duct tape.

Instead, let's ask ourselves what perspective The Lion King is coming from. What does it say is true about the world? What are its precepts, its axioms?

There is a natural hierarchical order to the world. This is just and righteous and the way of things, and attempts to overthrow this order will be punished severely by the world itself.

Fascism is what happens when evil men attempt to usurp this natural order with the aid of a group or groups of people who refuse to accept their place in the order.

There exists an alternative to defending and adhering to one's place in the natural order - it consists only of selfish spineless apathy.

Manliness is an essential quality of a just ruler. Unmanliness renders a person unfit for rule, and often resentful and dangerous as well.

And isn't that interesting, laid out like that? It renders the entire argument about the movie irrelevant (except for whatever your Catholic friend was on about, since his understanding of the world seems to line up with the above precepts weirdly well.) It's meaningless to argue about whether Scar was a secret hero or a fascist, when the movie doesn't understand fascism and has a damn-near alien view of what good and evil are.

There's always gonna be someone who, having read this far, wants to reply, "so, what? The Lion King is a bad movie and the people who made it were homophobes and also American monarchists, somehow? And anyone who likes it is also some sort of gay-bashing crypto-authoritarian?" To which I have to reply, man, c'mon, get out of the ditch. You're no good to anyone in there. Take my hand. I'm going to pull on three. One... two...

SO PHYREXIA [PAUSE FOR APPLAUSE, GROANS]

We're talking about everyone's favorite ichor-drooling surgery monsters again because there was a bit in my ~*~seminal~*~ essay Transformation, Horror, Eros, Phyrexia which seemed to give a number of readers quite a bit of trouble: namely, the idea that while Phyrexia is textually fascist, their aesthetic is incompatible with real-world fascism, and further, that this aesthetic incompatibility in some way outweighs the ways in which they act like a fascist nation in terms of how we think of them. I'll take responsibility here: I don't think that point is at all clear or well-argued in that essay. What I was trying to articulate was that the text of Magic: the Gathering very much wants Phyrexia to be supremely evil and dangerous fascists, because that makes for effective antagonists, but in the process of constructing that, it's accidentally encoded a whole bunch of fascinating presuppositions that end up working at cross-purposes with its apparent aim. That's... not that much clearer, is it? Hmm. Why don't I just show you what I mean?

Atraxa, Grand Unifier (art by Marta Nael)

In "Beneath Eyes Unblinking," one of the March of the Machine stories by K. Arsenault Rivera, there's a fascinating and I think revealing passage in which Atraxa (big-deal Phyrexianized angel and Elesh Norn's lieutenant) has a run-in with an art museum in New Capenna. The first thing I want to talk about is that, in this passage, Atraxa has no understanding of the concept of "beauty". A great deal of space in such a rushed storyline is devoted to her trying to puzzle out what beauty means and interrogating the minds of her recently-compleated Capennan aesthetes to try and understand it. In the end, she is unable to conceive of beauty except as "wrongness," as anathema.

So my first question is, why doesn't Atraxa have any idea of beauty? This is nonsense, right? We could point to a previous story, "A Garden of Flesh," by Lora Gray, in which Elesh Norn explicitly thinks in terms of beauty, but that's a little bit ditchbound, isn't it? The better argument is to simply look at Phyrexian bodies, at the Phyrexian landscape, all of which looks the way it does on purpose, all of which has been shaped in accordance with the very real aesthetic preferences of Phyrexians. How you could look at the Fair Basilica and not understand that Phyrexians most definitely have an idea of beauty, even if you personally disagree with it, is baffling. This is a lot like the canonical assertion that Phyrexians lack souls, which is both contradicted elsewhere in canon and essentially meaningless, given Magic's unwillingness or inability to articulate what a soul is in its setting, and as with this, it seems the goal is simply to dehumanize Phyrexians, to render them alien, even at the cost of incoherence or internal contradiction.

Atraxa's progress through the museum is fascinating. It evokes the 1937 Nazi exhibit on "degenerate art" in Munich, but not at all cleanly. The first exhibit, which is of representational art, she angrily destroys for being too individualistic (a point of dissonance with the European fascist movements of the 20th century, which formed in direct antagonism to communism.) The second exhibit, filled with abstract paintings and sculptures, she destroys even more angrily for having no conceivable use (this is much more in line with the Nazi idea of "degenerate art", so well done there.) The third exhibit is filled with war trophies and reconstructions from a failed Phyrexian invasion of Capenna many years prior, which she is angriest of all with (and fair enough, I suppose.) But then, after she's done completely trashing the place, she spots a number of angel statues on the cathedral across the plaza, and she goes apeshit. In a fugue of white-hot rage, she pulverizes the angel heads, and here is where I have to ask my second question:

Why angels? If you are trying to invoke fascist attitudes toward art, big statues of angels are precisely the wrong thing for your fascist analogues to hate. Fascists love monumental, heroic representations of superhuman perfection. It's practically their whole aesthetic deal. I understand that we're foreshadowing the imminent defeat of Phyrexia at the hands of legions of angels and a multiversal proliferation of angel juice, but that just leads to the exact same question: why angels? To the best of my knowledge, the Phyrexian weakness to New Capennan angel juice is something invented for this storyline. They have, after all, been happily compleating angels since 1997. We could talk about the in-universe justification for why Halo specifically is so potent, but I don't remember what that justification is, and also don't care. Let's not jump back in the ditch, please. The point is, someone decided that this time, Phyrexia would be defeated by an angelic host, and what does that mean? What is the text trying to say? What are its precepts and axioms?

Let me ask you a question: how many physically disabled angels are there in Magic: the Gathering? How about transsexual angels? How many angels are there, on all of the cards that have ever been printed for Magic: the Gathering, that are even just a bit ugly? Do you get it yet? Or do you need me to spell it out for you?

SPELLING IT OUT FOR YOU

There is a kind of body which is bad. It is bad because it has been significantly altered from its natural state, and it is bad because it is repellent to our aesthetic sensibilities.

The bad kind of body is contagious. It spreads through contact. Sometimes people we love are infected, and then they become the bad kind of body too.

There is a kind of body which is good. It is good because it is pleasing to our aesthetic sensibilities, and it is good because it is unaltered from its (super)natural state.

A happy ending is when all the good bodies destroy or drive into hiding all of the bad bodies. A happy ending is when the bad bodies of the people we love are forcibly returned to being the good kind of body.

Do you get it now?

ENDNOTES

It's worth noting that the ditch is very similar to the white American Evangelical hermeneutics of "the Bible says it. I believe it. That settles it," the defensive chapter-and-verse-or-it-didn't-happen approach to reading a text, what Fred Clark of slacktivist calls "concordance-ism". I don't think that's accidental. We stand underneath centuries of people reading the Bible very poorly - how could that not affect how we read things today? We are participants in history whether we like it or not.

I sincerely hope I haven't come across as condescending in this essay. Close reading is legitimately difficult! They teach college courses on this stuff! And while it is frustrating to have my close readings interrogated by people who... aren't doing that, like. I do get it. I find myself back in the ditch all the time. This stuff is hard. It is also, sorry, crucial if you intend to say something about a text that's worth saying.

I also hope I've communicated clearly here. Magic story is sufficiently incoherent that trying to develop a thesis about it often feels like trying to nail jello to the wall. If anyone has questions, please ask them! And thank you for reading. Next time, we'll probably do the new Eldraine set.

[puppetwoman17]

I want to read more comics and fanfics about Cap/Billy being a respected member of the hero community.

But at the SAME TIME, I want to read something where his attempts to make friends is seen as too eager or boyish and he’s ostracized, so as he grows up he understands that he needs to dial it down. He begins backing off and letting people do their own thing. He doesn’t try to hang out with the younger hero teams, but makes it clear that he’s always there if they need him, because he’s a sweetie. He talks less with JL members, not significantly, but just so he’s not talking way more than he has to.

Everyone’s noticed. They are worried.

Billy grows up, gets reunited with his sister, connects more with his Whiz Radio coworkers, gets along with the Bromfields, meets and connects with other Fawcett heroes and finally gets his own apartment(with illegal means but shush I guarantee you someone else has done much worse). He’s getting his life together day by day and he’s more sure of himself.

Heavy on Fawcett heroes btw. They clock him being CC’s kid immediately. What do you mean the JL doesn’t like him? What’s their problem with our boy😡?

Little subtleties with other heroes… Because why is Cap not talking to me anymore? Why do I have to steer the conversation?

Did I do something wrong?

Did I fuck up?

Was I too mean?

He just wants to hang out. Isn’t that what being part of a team is?

He just wants to be friends like the rest of us are.

Cue young and older heroes alike trying their damn hardest to get Cap to join them for a game night or gossip session or joint mission where there doesn’t need to be a joint mission and Billy is just confuzzled.

He’s busy, sorry! (He’s cleaning up the radio station for a birthday party)

Something came up, you know how schedules can be. (Mary wants him to see his first opera. Billy is a yes man)

A friend of mine needs some help! Really sorry, I wish I could! (Ebenezer is about to die. He wants to watch the moment the light leaves his eyes. No, Mary, he doesn’t need therapy. No Freddy, he doesn’t need a hug right—fuck it, give him a hug)

Because even without knowing, the her community watched him grow up. And, like adult figures and parents in a child’s life, they miss the way things used to be. It confuses them, especially the younger heroes.

Oh, then an identity reveal happens and everything makes so much sense and they all feel so so so bad but Billy’s like “Hey, it’s no big deal! Everyone gets busy! And I’ve got lots of other friends to confide in!”

He says this with a smile on his face but it sounds like an insult. Now the JL and younger heroes are grappling with the fact that this whole time they’ve just been parental figures who miss when their kid was clingy🥺

…

…

…

LOL, TOO BAD. Freddy’s taking him to a game tonight. He’s got front row seats and extra cotton candy coupons! Suck on that!

[sashiavi]

•··········🍑···········• ֪٘ ︶ ͝ ٘⏝𖹭⏝ ͝ ٘︶٘ ֪•···········🍑··········•

this has been rotting in my documents since October </3 abandoned kinktober prompt I just couldn't get out of my head :((

•·············🍑·············•🍑•·············🍑·············•

♡𝙲𝚘𝚗𝚝𝚎𝚗𝚝 𝙳𝚎𝚜𝚌𝚛𝚒𝚙𝚝𝚒𝚘𝚗♡ Wriothesley x Reader - wrio finds you stuck in a wall

𝚆𝚊𝚛𝚗𝚒𝚗𝚐𝚜: | ¹⁸⁺ | ˢᵐᵘᵗ | ᵃᶠᵃᵇ ʳᵉᵃᵈᵉʳ | ᴾʳᶦˢᵒⁿᵉʳᵎ ᴿᵉᵃᵈᵉʳ | ᵖᵘⁿᶦˢʰᵐᵉⁿᵗ | ˢᵗᵘᶜᵏ ᶦⁿ ᵃ ʷᵃˡˡ | ᵖᵒʷᵉʳ ᵈʸⁿᵃᵐᶦᶜˢ | ᵈᵒᵐ/ˢᵘᵇ | ⁿᵃˢᵗʸ ⁿᵃˢᵗʸ ʷʳᶦᵒ ˢᵐᵘᵗ | ʷᵒʳᵈ ᶜᵒᵘⁿᵗ ³.⁵ᵏ

→ᴰᵃʳᵏ ᶜᵒⁿᵗᵉⁿᵗ ᵂᵃʳⁿᶦⁿᵍ←

ᵀʰᶦˢ ᴾᶦᵉᶜᵉ ᶜᵒⁿᵗᵃᶦⁿˢ ᵀʰᵉᵐᵉˢ ᴼᶠ ⁻ ᴰᵘᵇᶜᵒⁿ|ᴰᵘᵐᵇᶦᶠᶦᶜᵃᵗᶦᵒⁿ|ˢᵗᵘᶜᵏᵃᵍᵉ| ᴿᵉᵃᵈᵉʳ ᴰᶦˢᶜʳᵉᵗᶦᵒⁿ ᴵˢ ᴬᵈᵛᶦˢᵉᵈ

•· ֪٘ ︶ ͝ ٘⏝𖹭⏝ ͝ ٘︶٘ ֪·····.•🍑•.····· ֪٘ ︶ ͝ ٘⏝𖹭⏝ ͝ ٘︶٘ ֪·•

Well, well. What an amusing predicament. Wriothesley certainly didn't expect his morning to turn out so… Interestingly. 

The Duke makes his rounds through the Fortress of Metropide twice a day. Once in the morning and again during the young hours of the night, right when the sun sets. Not that its rays could be seen so far down under the surface of the sea, but the sentiment was there. Wriothesely would often be seen passing through the establishment's pleasantries, always making a stop by the inmate sleeping quarters, he ought to have an idea of exactly whom he had in his Fortress.. Right?

He ventures further than the guards are assigned, boots clicking coolly against the metallic flooring, echoing through the high domed ceilings of the holding pods. The Duke makes an effort into personally peeking a look into each isolated cell, sometimes striking up a small conversation with an inmate or two. The man knew all-too-well just how lonesome time in prison was, he could at least acknowledge their existences. 

Speaking of, his mind wanders as he approaches a specific cell, isolated and cold - Away from the rest, segregated by the Fortress’ rule of separating cases, depending on their verdict - Wriothesley flitters back to a conversation he held the night before -

- “Now, what's a girl like you doing here in my Fortress?” Wriothesley leans himself upon the bars of your cell. The area was quiet, isolated with little inhabitants, even more so during the day time, while inmates congregated within the public area of the fortress. You jump slightly, whipping around to face him. 

“Oh, you know.. Stuff..” You reply, looking a little shameless towards him. He had an inkling that you were up to no good. But he’d bite.

“How’s the Fortress treating you? Despite the whole prison aspect,” He chuckles to himself, earning your own laugh, dancing in his ears.

“It’s.. a little boring in here,” He watches your eyes wander around the cell.

“Well- At least you have that poster there, plenty of fun to stare at, I’m sure.” Wriothesley lets his eyes crinkle. The poster was large, stuck to the wall haphazardly, crooked and torn on one corner. “That thing could cover up anything,” He side comments. He watches your interest pique, head tilting in what he could only describe as thought - A stupid one he thinks. 

“I wouldn't try it, you just might escape. I can't have that happen, now can I?” He winks, finally continuing his evening round throughout the section of the fortress.

All of that circles back to the now, as Wriothesley approaches your cell on his morning patrol. Something stirs in his chest, a tickling inkling. He nearly half expects you to have followed his gracious ‘advice’ - If you could even call it that. 

Lo and behold, the Duke spots a special individual poking out from the cracked cell wall. Your lower half nearly dangles from the partition, practically on tippy toes, ankles surely close to giving out from the awkward position. The poster from the night before lays perfectly on the floor next to your frame, comically outlining just how bad you had messed up. He nearly chuckles at the sudden jolt of your body as he unlocks the cell door, craning it open with an obnoxious creak.

“Well.. Aren’t you something?” His heavy boots resonate through the near barren cell, echoing as he makes his way towards your predicament.

You helplessly squirm, whining out of your throat as you fruitlessly struggle in your impromptu confines. Wriothesley stares down at you in utter bemusement, his face cracking with an audacious downturned smile; not that you could see his face through the thick prison wall. Poor You. All lodged and stuck.

"Y-Your Grace! It's not what it looks like-" Your voice manages through the wall, a little muffled to the ear. However, Wriothesley was sure you hadn’t even broken into the adjacent room.

"It's exactly what it looks like. Who knew you'd actually try it." He almost laughs. It wasn’t like you were going to go anywhere - Last he checked, the Fontainian Ocean was right outside their door.

“Seemed like a decent idea..” Wriothesley has to strain to hear your mumble.

“We’re far under the water dear.. Or did you forget in your haste?” This time, he makes no effort to stifle his laugh, chuckling out loud when your form visibly slumps - Whether out of embarrassment or defeat - He was thoroughly amused.

“Hmm.. Now, what do we do with you?” Wriothesley teases. He cranes his body, bending his back with purpose, inspecting the damage you had added to the already faulty wall. How you had managed to wiggle your way in this far, he hadn't a clue. Your body noticeably tenses, you make an attempt to find a proper footing, easily failing from the height of the hole.

“P-Please Your Grace- I’ll do anything, really! Anything you want just- please don’t add time for this..”

“You’ll do.. Anything…?” Call him confused, what were you on about?

“Yes, anything- ch-chores? Solitary? I’ll be good I swear, really- Or you could..” You trail off, leaving the Duke to sit with his whirring brain for a moment. “You.. Can take me… Use me how you want- Please~ Y-You’re stressed right? U-Use me.. Do whatever you wanna-” You sounded nearly delirious. Your pretty ass shakes, brushing up against the front of his pants, a feeble attempt to press back into him.

Were you trying to bargain with him? Wriothesley was more than ready to pull you out, maybe give a little slap on the wrist and send you on your merry way. But now? The Duke couldn't help but indulge in the feeling of his pants tightening around his groin. The idea of taking your pretty self, stuck helplessly in the wall. He couldn't refuse your offer, right? Not when you sounded so eager. Not when you begged for him, for his body, for his thick aching cock, threatening to burst the seam of his trousers. 

Before he can properly stop himself - Not that he was really going to - Wriothesley finds his hands on the soft swell of your ass, squeezing the flesh in his palms. You jolt under his touch, footing slipping slightly against the floor that barely brushed against your toes. Wriothesley breathes hard from his nose, hooking his fingers into the cut of your waistband, pulling the fabric over your form. He hears a whimper from beyond the wall.

“Y-Your Grace…The wall..” Your voice wobbles, body tensing against the brush of his hands.

“What? Having second thoughts?” He can’t help but tease you, squishing his fingers into the soft meat of your ass, digging his hands into your half-on pants. You did say anything. You gasp out, voice cracking with muffled little pleas. ‘Never’ you say ‘Want it bad - so bad’.

Your pants come off quickly, thrown to the floor in a crumple. Wriothesley’s hands are on you again, spreading the fat of your ass apart, marvelling at the pretty swell of your pussy hugged against your panties. He watches your plush thighs squish together, rubbing and squirming in his hold, he couldn't tell if you were wiggling away or keening into him. Not that you could go anywhere. The thought irks a chuckle out of Wriothesley. His fingers wander again, caressing over the soft skin of your ass, digging them in and jiggling cheekily. His thumbs slide over and hook into the elastic of your panties, hugging around the thick of your legs. He meanly tugs at the snappy material, pulling it up and taught, forcing the fabric to cling achingly against your cunt. His tongue instinctively pokes from behind his lips, itching to lap at the pretty wet spot that had formed over the fabric. 

Wriothesley swallows thickly, eyes locked on your pretty cunt, head swimming with the short, hiccuped whines that cut through the wall. You babble and cry, repeating his title over and over - Your Grace, Your Grace - begging him to just touch. To do anything - Anything. 

Your pretty voice gets to him and he finds himself nearly ripping your drenched panties off of you. He pulls them down, leaving them dangling off of your legs, showing off your wet cunt just for him. Gods, he wasn't disappointed. Your pretty pussy peeks from behind the swell of your thighs, already dripping wet, all over yourself. He swears he twitches, breath hissing through his teeth, cold on your core. The sweet jump you make - as best as you could - sends him reeling. 

Wriothesley’s thick fingers tentatively poke at your dripping pussy, catching your sweet, dribbly slick on his fingertips. He awes at how it webs between his fingers, how you’d managed to work yourself up with your own babbling. Perhaps the wall aided a little - Showing off your bottom half, on full display just for him to enjoy, your own vision obscured. You wouldn't see anything coming. The thought runs straight to his cock, making itself well known again against the fly of his trousers. 

Wriothesley licks against his lips, enamoured at the pretty string of your slick on his fingers, sticking between his digits like a lattice. He needs more. He wastes no time, easily slipping in two of his fingers, knuckle deep right into the doughy swell of your hole. Gods, you felt so soft. Silky to his touch, pussy pretty and plushy and warm. The squeal that muffles through the wall forces him to sink his teeth into his own bottom lip. Toying with you came to him naturally. Ever so easy with you all snug and stuck, silly enough to try and swindle him and escape your commitment to the Fortress. 

“W-Wriothesley… your g-grace..” He ignores you, fingers digging into the sweet, supple curve of your cunt. He curls them downward, earning the prettiest, muffled cries through the wall. He releases a breath he didn't even know he was holding. Wriothesley thrusts his fingers hard. Pressing meanly into the achy swollen bump in your core, getting a kick out of the lewd suckling squelch of your pussy on his fingers. Your poor legs practically give out, ankles going limp, your body holding itself up thanks to the wall hugging your body. Your voice crackles through the cement, whiney and keening, babbling dumb nonsensical begs and pleads to him. Your slick pools against his knuckles, threatening to overturn the snug fit of his rings on his fingers. He can't help but stare, locked in, mind reeling with the way your cunt wrapped around his digits. He couldn't help but wonder just what that pretty little thing would look like, all red and puffy, hugging on his thick cock.

He shamelessly lets out his own groan. Finally managing to remove his fingers, watching in awe as your slick drips off of them, connecting him to you with a thin, dribbly line. 

Just a taste…

The thought zaps through his brain, tongue shamelessly poking its way past his teeth, running over his lips with a quick tilt of his head.

Wriothesley wastes no time. Wrapping his lips against your slick cunt, eyes rolling hard into the back of his skull. Fuck. Your taste on his tongue, sweet and tangy, oh so decadently coating his throat. Archons, he laps and suckles, nearly sinking his teeth into the heat of your core, into the puffy swell of your pussy lips. You keen back into him, whining never-ending, absolutely ceaseless, voice managing to pierce through the heavy material of the wall you’d stuck yourself in. That thought charges through his mind again. Poor little you, all stuck and lodged in the wall all for him to play with. The man was sure he would cream in his own pants if he kept up. He barely registers his knees beginning to ache under the heavy pressure of his own body meeting the floor. Since when had he managed to sink down? Finding his hands back on your plushy ass cheeks? Chin dribbling slobber and slick, sticking wetly to the scratchy stubble shadowing over his face? He couldn't take it anymore. 

Wriothesley stands with a start, ignoring the stiff crack of his knees in favour of unbuckling his godforsaken pants. His hands are clumsy, large palms pawing at the metal of his trousers, his belt suddenly too intricate for his rough, fervent body to figure out - Not with how his mind reels, with the sight of you stuck in the wall, pretty pussy drooling, on display all for him. He barely shoves his pants to his thighs, the material wrapping around his legs in a mess. His cock weeps as it's free, slapping up into his stomach, heavy balls hanging over the waist of his trousers. He leaks beads of sticky pre, messing up the surface of his dress shirt. Wriothesley groans out loud, hand coming up to wrap around the base of his cock, squeezing it up and down to ease the hot tension pulsing through his thick cock vein. 

He was sure you heard the cold clink of his belt, the only inkling of what was to come for you. He can't help but jerk his length off to the sight of you, shamelessly stalling just to mess with your head. No matter how much you squirm and beg, crying out as best as you could, stupidly asking for a reply to gather any kind of indication of what he was about to do to you. He stays silent.

Wriothesley meanly slaps his cock over the sticky, wet folds of your achy cunt, he chuckles when you jump again, going absolutely crazy for your every little reaction. Your pussy sounded so pretty on his tip, all wet and sticky as he slapped and rubbed against it. His fat tip slides over your warm, slick folds, craning his hips forward, catching against your sopping hole, earning him the softest gasps from within the wall. Your little jumps all but spur him all the more on.

“M’ not even in yet.. Pussy’s already tryin’ to suck me in,” Wriothesley pokes his tip against your hole, catching it against the warm, supple squeeze of your cunt. He growls through his teeth, head quickly draining of any cohesive decision making. Your babbling continues through the wall, your hips crane up into his own, wiggling and catching back on the thick head of his dick. Gods, that does it. You were insatiable, all stuck waiting for him to come along and ravage your pretty cunt with his cock. 

It all urges him to dive in, give your poor cunt no warning for his thick, dribbling cock.

And so he does.

“Fuuuckk” Wriothesley can’t help but groan, finally feeling the sweet swell of your cunt enveloped the fat length of his cock. He has to bite into his thumb, just to slow himself down, let himself relish in the sweet squeeze of your cunt on his cock. Gods the way you wrapped around him, silky soft walls hugging on his length. He can't help but awe at the way your achy pussy squeezed on him, all puffy and sore from neglect. His hands find your hips, one of the only parts free from the wall.

“Your Grace~.. So big- so biiig… Filling me up- please please… please” Your silly voice cracks through the wall. Wriothesley digs his fingers into the flesh of your hips, purposely lifting your poor legs off of the floor, leveraging your body just for him to use. You squirm in his hold, easily forcing him to grip you tighter.

“Fuck, stay still. Gonna make me go crazy..” Wriothesley finds himself mindlessly rocking his thick cock into your silky cunny, humping his hips against your ass like some kind of dog in rut. Archons, he could get used to this. His own personal little wall slut, always there for him to use and abuse. His eyes roll at the idea, his snapping hard, earning a loud hiccuped cry from within the thick wall. The hot squelch that follows has him nearly drooling, mouth dropped open in a soft frown, eyes locked on to his heavy cock sliding in and out of your dumb cunt. He fucks his hips hard again, cock head smacking into the deepest parts of your pussy.

Wriothesley doesn't remember speeding up. But he sure as hell won't be slowing down - not anytime soon. Your gushy pussy squelches on his cock, dribbling down your thighs, messing all over your poor aching legs. Wriothesley’s fingers keep a hold of your hips, rocking them slightly to meet his brutal pace. He doesn't have to crane his ears to hear your pretty moans, effortlessly reaping through the solid wall, barely muffled by the sheer loudness of your voice. 

Fuck, he didn’t care about the noise. Let everyone hear them. What were they going to do about it? What were you going to do about it? About getting all stuck in this wall, going against the Fortress’ protocol? Seducing the Duke of the Meropide, forcing him to fuck your dumb brains out to teach you a lesson? A growl resonates from his throat, hips snapping hard, clapping into the sweet swell of your ass cheeks as he fucks up your cunt. 

Wriothesley’s eyes wander, locking down on the sweet jiggle of your ass and the puffy red throb of your cunt on his cock. A heavy breath makes its way through his nose, eyes hyper focused on the pretty, creamy ring around his length as he fucks his hips against you, slowly leaking its way on to his pants. An ache builds in his pelvis, thick vein pulsing on the underside of his cock. Your moans don't stop, legs continuously squirming in his grasp, body stuck in the juncture of your silly wall. He thinks you beg, maybe you scream, crying out for him to keep going, to fill you up to cum hard and deep and mess up your insides. 

Wriothesley drops your legs, forcing you to dangle, his hands press into the wall above, grinding his hips upwards, stabbing your pussy impossibly deeper with his length. Sweat beads off of his nose, his calves cramp and ache with every thrust he makes, but Gods, he wasn't going to stop. He finds himself moaning out loud, complementing the pretty noises that creak through the wall. Your pussy hugs on his length, squeezing nice and tight, wrapping around his fat tip every time he slams it back into you. 

His teeth grit hard. Eyes still locked on to the messy slide of his length, in and out, in and out. He was coming close. So fucking close.

Wriothesley’s brow scrunches, relishing in the aching squeeze of your messy pussy on his cock. He couldn't take it anymore. The creamy ring he’d fucked out of you, the pretty ripple of your ass on his hips, how juicy and gushy your cunt was on his length. Gods, it was all so much. His hips snap, pace faltering, clapping his hips in heated staccatos, dragging his length out and slamming right back in with a hard smack. You cry with every thrust, silky cunt squeezing on his tip, babbling his name over and over and over. 

He finally spills with a deep, hard fuck. His thick tip spurts hot rivulets of cum into your silky pussy. He messes your insides with white, fucking himself through his orgasm, humping up on your cunt, mounting your pussy with his cock. His throat growls with every fuck, sweat beads off of the tip of his nose, he watches his hot spurts leak steadily out of your hole, leaking around the base of his length. He can’t help but nestle right into your cunt, relishing in the sweet squeeze of your milky walls on him, he cranes his hips every so often, teasing his aching tip with your soft insides.

You kick and whine as eventually, he pulls out, dribbling his hot white cum down your thighs. 

“No~ need more! More more!” Your muffled voice cries, pitifully wiggling within the hug of the wall, attempting to squirm your way out.

Wriothesley chuckles hotly, eying off the sweet gush of cum that drools out of your puffy pussy. His mouth waters, salivating like a dog. Surely he could take you out of the wall a little later? You’d understand. You’d been a great little wall slut for him so far, so why not indulge for as long as he wanted? Maybe he'd let you cum, spray and mess all over yourself - He could even let you out as a reward.

His finger comes up to caress over your spent hole, scooping up the leaking slick that coated your poor pussy. The cry he earns makes his half-hard cock stiffen, bobbing to life with a flex.

Archons, weren’t you something?

hnnnnnng gg g wrio wooof wOof - my longest fics are always wrio </3

Idk what possessed me to create this- I hope you enjoyed ;3

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Thank You For Reading! Comments Are Always, Always Appreciated! Ilysm <333

♡ᵀᵃᵍˡᶦˢᵗ♡

@madsw9 @pvbbyb0y @heath-sama @shiningpaint-marbleheart @the-massive-simp @tericula @a-random-weeb @mechalily @mydarlingdahlia @finnie9479

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Do Not Translate Or Repost - Property Of SashiAvi ♡

[ophelieverse]

Everything is reduced to misunderstandings,mistakes and accidents.No one is plotting to take/steal the power like it was supposed to.

Characters are completely changed or are the opposite of what they are in the book.The is no gray,only black and white,only good people or bad ones.

Different team stans are at each other’s throats.

Daemon and Aemond are plotting against the people they are most loyal to and they want to become kings by themselves.

Daeron is lost somewhere and it’s rumored to be a bastard.

Maelor and Nettles don’t exist.Their storylines were so important for characters like Daeron,Helaena,Daemon and Rhaenyra.

Apparently having dragon blood/being valyrian has no use to ride a dragon.

Other dragons,like Dreamfyre,are long forgotten.

There was no interaction,no relationship,not even a conversation between Viserys children.

Laenor simply running away,living his best life in Essos meanwhile his family started a civil war.Same as Daeron,who is trapped in Oldtwon while his siblings are destroying each other.Perfect sense.

Rumors about Alys engaging a relationship with Daemon instead that with Aemond.

Aegon and Criston Cole being the most hated in the fandom when in the book they were completely different,so much wasted potential.

Rhaenyra being paint as saint/mary sue,instead that the political idiot she actually is and the bad person she is(and that’s why i loved her in the book).

Alicent being a scheming little bitch,a Margaery 1.0,not a little scared girl that did what she did because of a misunderstanding.She wanted to usurp the throne,she wanted the power and she didn’t stopped in front of anything.

Rhaenicent scene in the Temple was a comic relief,because otherwise it make no sense if you think about how the characters were supposed to be.Just another proof of how “good” and “misunderstood” they are,acting like it’s the world that goes against them and that is not them that are keep doing a bullshit after another.

Helaena having no reaction after Blood and Cheese,but saying that things like this happen in the world.When in reality this is the event that will forever change her life,she will stop sleeping,bathing and eating.She won’t even look at her other children without feeling guilty for what happened.She literally goes insane with grief.

Rhaena bonding with the dragon that Nettles was supposed to have and that’s mean that we won’t probably see her real dragon:the pink baby Morning,that represents the hope for the dragons because in the dance they all died.

Ryan Condal if you plan to make a show about the Conquest,i beg you to not do it.I don’t want to see Visenya and Rhaenys being rivals and fight over Aegon,because i know this is what will happen!

[becausegoodheroesdeservekidneys]

This is more personal rambling than anything else (for reasons that will become clear lol), but I'm currently in the worst phase for my ADHD.

I'm pretty lucky with it by and large - there are some symptoms of ADHD that I would hate, loathe and detest having, and I don't have them. My sister has emotional dysregulation and very mild RSD, and fuck me, I would hate to have those. I also don't have anything close to the conversational impulsivity that people stereotypically think of with it, so that's a whole thing I don't have to deal with. My addictive tendencies are pretty mild. The symptoms I do have are moderate, sometimes mild. It could be a lot, lot worse.

BUT I am currently in the danger zone, as it were. Something I'm prone to, for good or bad, is that when I'm going through a busy period with a fixed deadline (end of term, last submissions of my PCET and the exam boards all happened in the last two weeks), it's like I'm running through a tunnel with a comically oversized mallet. I have set goals, and set deadlines. This means that I know exactly which tasks I need to focus on, and complete, and so everything else can be safely ignored or batted forward with the mallet to deal with after the tunnel. And this starts mild, the tunnel is fairly wide; but, as I keep going, I go faster and faster and it gets narrower and narrower until even things like "Answering texts from friends" gets blasted back up that tunnel, straight into the "Deal With Later" pile.

But then the deadline arrives, and I get everything in, and it's all over, and I plummet out of the tunnel -

And find I'm in a massive open field, with pretty wildflowers dancing in the breeze, and all those things I was ignoring and punting up the tunnel ahead of me are scattered all around. There is no direction in the field. The Things are randomly scattered. I need to pick them all up in turn to work out how important they are, and what order to now do them in; but there are so very many, and some are hidden in the grass, and I am tired from the tunnel and want to look at the flowers. Sometimes I pick one up and start sprinting with it, because that's what I'm now used to doing; but then it's done really quickly, or I trip over another hidden one, and so I get distracted.

And that's how I feel at the minute. I'm in the 'drifting in a field' phase. Limited motivation to do anything, surrounded by the detritus of stuff I put off, needing to get my shit together and struggling to do it. I almost miss the tunnel - the tunnel gave a direction and also permission to ignore things. The field gives neither. It's not overwhelm as such - it's like the sudden lifting of pressure, and now I'm unravelling as a result.

Ironically - or possibly aptly - I don't know where I'm going with this

[incorrectbatfam]

WFA spoilers ahead

Content warning for discussion of mental illness

Can I take a moment to appreciate how they showcased Jason's PTSD in the latest ep? This isn't the first time but I feel like this round struck much closer.

Although this is the website where people are open about mental illness, there's still a reluctance to address the "loud" or "frightening" or "angry" or "messy" side of it. Stuff like bipolar, schizophrenia, addiction, PTSD. It's why I'm extremely hesitant to talk about my own problems even under anonymity.

Conversely, there are mainline comics (and other media) that use this category of mental illness as an excuse for characters to go all-out in their aggression. Even if not intentional, it perpetuates the idea that a trigger will always send the person spiraling until either the worst happens or someone steps in as the "hero." It's basically sending the message to people like me that we're a ticking time bomb.

Then there's WFA. Jason's not fully present during his episode. It leads him into a dangerous situation while at the same time he's unable to grasp things like pain. The adrenaline and the overwhelming sense of fear drives him into fight mode. He gets tunnel vision while he's beating up the bar patrons to try and find the Joker. Without getting into details, I've been in Jason's shoes. I've found myself in risky places doing things I'd later regret. All because of the disconnect from reality that makes me believe what I'm doing is necessary. Not even justified, just necessary. Almost like a survival instinct.

And what's so important is that Jason isn't a villain and Dick isn't a savior. Dick reaffirms Jason's trauma and guides him through tangible steps rather than giving broad sweeping advice. Of course there's no one-size-fits-all coping method, but the biggest thing is having somebody in your corner who sees you beyond this bad episode. Sometimes I have that, sometimes I don't. WFA won't show it since it's all about family, but the times I didn't have someone were exponentially scarier.

At the same time, there are consequences that a simple grounding exercise can't remedy—Jason got hurt, he hurt others, and his appearance at Noonan's definitely put him on someone's radar if not the Joker. And they're just as real as his feelings and (hopefully) he's gonna be held accountable. Because that's how it goes in real life. Something sets me off, I screw up, I get bailed out, and once I come down from it I have to fix the mess I made.

Maybe I'm just reading too much into a fan comic. But I know that if a few panels can resonate so closely with me, then it's worth talking about because someone, somewhere is also feeling the same way.

[physalian]

Pacing your Story (Or, How to Avoid the "Suddenly...!")

Arguably *the* most important lesson all writers need to learn, even for those who don’t give a damn about themes and motifs and a moral soap box: How your story is paced, whether it’s a comic book, a children’s chapter book, a doorstopper, a mini series, a movie, or a full-length season of TV (old school style), pacing is everything.

Pacing determines how long the story *feels* regardless of how long it actually is. It can make a 2 hour movie feel like 90 mins or double the time you’re trapped in your seat.

There’s very little I can say about pacing that hasn’t been said before, but I’m here to condense all that’s out there into a less intimidating mouthful to chew.

So: What is pacing?

Pacing is how a story flows, how quickly or slowly the creator moves through and between scenes, how long they spend on setting, narration, conversation, arguments, internal monologues, fight scenes, journey scenes. It’s also how smoothly tone transitions throughout the story. A fantasy adventure jumping around sporadically between meandering boredom, high-octane combat, humor, grief, and romance is exhausting to read, no matter how much effort you put into your characters.

Anyone who says the following is wrong:

Good pacing is always fast/bad pacing is always slow

Pacing means you are 100% consistent throughout the entire story

It doesn’t matter as much so long as you have a compelling story/characters/lore/etc

Now let me explain why in conveniently numbered points:

1. Pacing is not about consistency, it’s about giving the right amount of time to the right pieces of your story

This is not intuitive and it takes a long time to learn. So let’s look at some examples:

Lord of the Rings: The movies trimmed a *lot* from the books that just weren’t adaptable to screen, namely all the tedious details and quite a bit of the worldbuilding that wasn’t critical to the journey of the Fellowship. That said, with some exceptions, the battles are as long as they need to be, along with every monologue, every battle speech. When Helm’s Deep is raging on, we cut away to Merry and Pippin with the Ents to let ourselves breathe, then dive right back in just before it gets boring.

The Hobbit Trilogy: The exact opposite from LotR, stretching one kids book into 3 massive films, stuffing it full of filler, meandering side quests, pointless exposition, drawing out battles and conflicts to silly extremes, then rushing through the actual desolation of Smaug for… some reason.

Die Hard (cause it’s the Holidays y’all!): The actiony-est of action movies with lots of fisticuffs and guns and explosions still leaves time for our hero to breathe, lick his wounds, and build a relationship with the cop on the ground. We constantly cut between the hero and the villains, all sharing the same radio frequency, constantly antsy about what they know and when they’ll find out the rest, and when they’ll discover the hero’s kryptonite.

2. Make every scene you write do at least two things at once

This is also tricky. Making every scene pull double duty should be left to after you’ve written the first draft, otherwise you’ll never write that first draft. Pulling double duty means that if you’re giving exposition, the scene should also reveal something about the character saying it. If you absolutely must write the boring trip from A to B, give some foreshadowing, some thoughtful insight from one of your characters, a little anecdote along the way.

Develop at least two of the following:

The plot

The backstory

The romance/friendships

The lore

The exposition

The setting

The goals of the cast

Doing this extremely well means your readers won’t have any idea you’re doing it until they go back and read it again. If you have two characters sitting and talking exposition at a table, and then those same two characters doing some important task with filler dialogue to break up the narrative… try combining those two scenes and see what happens.

**This is going to be incredibly difficult if you struggle with making your stories longer. I do not. I constantly need to compress my stories. **

3. Not every scene needs to be crucial to the plot, but every scene must say something

I distinguish plot from story like a square vs a rectangle. Plot is just a piece of the tale you want to tell, and some scenes exist just to be funny, or romantic, or mysterious, plot be damned.

What if you’re writing a character study with very little plot? How do you make sure your story isn’t too slow if 60% of the narrative is introspection?

Avoid repeating information the audience already has, unless a reminder is crucial to understanding the scene

This isn’t 1860 anymore. Every detail must serve a purpose. Keep character and setting descriptions down to absolute need-to-know and spread it out like icing on a cake – enough to coat, but not give you a mouthful of whipped sugar and zero cake.

Avoid describing generic daily routines, unless the existence of said routine is out of ordinary for the character, or will be rudely interrupted by chaos. No one cares about them brushing their teeth and doing their hair.

Make sure your characters move, but not too much. E.g. two characters sitting and talking – do humans just stare at each other with their arms lifeless and bodies utterly motionless during conversation? No? Then neither should your characters. Make them gesture, wave, frown, laugh, cross their legs, their arms, shift around to get comfortable, pound the table, roll their eyes, point, shrug, touch their face, their hair, wring their hands, pick at their nails, yawn, stretch, pout, sneer, smirk, click their tongue, clear their throat, sniff/sniffle, tap their fingers/drum, bounce their feet, doodle, fiddle with buttons or jewelry, scratch an itch, touch their weapons/gadgets/phones, check the time, get up and sit back down, move from chair to table top – the list goes on. Bonus points if these are tics that serve to develop your character, like a nervous fiddler, or if one moves a lot and the other doesn’t – what does that say about the both of them? This is where “show don’t tell” really comes into play.

4. Your entire work should not be paced exactly the same

Just like a paragraph should not be filled with sentences of all the same length and syntax. Some beats deserve more or less time than others. Unfortunately, this is unique to every single story and there is no one size fits all.

General guidelines are as follows:

Action scenes should have short paragraphs and lots of movement. Cut all setting details and descriptors, internal monologues, and the like, unless they service the scene.

Journey/travel scenes must pull double or even triple duty. There’s a reason very few movies are marketed as “single take” and those that are don’t waste time on stuff that doesn’t matter. See 1917.

Romantic scenes are entirely up to you. Make it a thousand words, make it ten thousand, but you must advance either the romantic tension, actual movement of the characters, conversation, or intimacy of the relationship.

Don’t let your conversations run wild. If they start to veer off course, stop, boil it down to its essentials, and cut the rest.

When transitioning between slow to faster pacing and back again, it’s also not one size fits all. Maybe it being jarring is the point – it’s as sudden for the characters as it is for the reader. With that said, try to keep the “suddenly”s to a minimum.

5. Pacing and tone go hand in hand

This means that, generally speaking, the tone of your scene changes with the speed of the narrative. As stated above, a jarring tonal shift usually brings with it a jarring pacing shift.

A character might get in a car crash while speeding away from an abusive relationship. A character who thinks they’re safe from a pursuer might be rudely and terrifyingly proven wrong. An exhausting chase might finally relent when sanctuary is found. A quiet dinner might quickly turn romantic with a look, or confession. Someone casually cleaning up might discover evidence of a lie, a theft, an intruder and begin to panic.

--

Whatever the case may be, a narrative that is all action all the time suffers from lack of meaningful character moments. A narrative that meanders through the character drama often forgets there is a plot they’re supposed to be following.

[storiesfromafan]

Obsessed Pt1

A/N: it's finally here :) Forgive me if its not the best and a little rambly, I tried writing more for Mattheo this time around. And I know it will get better, hopefully. Set in Fourth year, because I have a fondness for a curtain Ball ;)

Pairing: Mattheo x Fem!Reader

Summary: obsession can be good, depending on the context. Being obsessed by food or music, not so bad. Being obsessed with someone, doesn't sound good.

How could one person haunt his mind, to the point it was every waking moment of the day? He was under your spell. Hook, line and sinker. But why? How? You were the opposite of him, as in he is evil while you are good. He is tainted, you are pure. He was smart but nowhere near as smart as you. He couldn’t understand his infatuation with you.

Maybe it was that pureness that drew him in. While everyone disliked the Slytherin, except for the females of Hogwarts fairing for his attention, you put the stigma about him aside and helped him when he needed it. In one moment of kindness, you were there for him. No hate in your eyes, or judgement, just concern and kindness stared at him.

No one had been so kind to him. Not his family, or his close friends. He didn’t entirely know what help was, or kindness or a caring touch. But before him a year ago, Mattheo Riddle for the first time was witnessing it from you.

“If I am hurting you, please tell me” you said softly, calming that matched your touch, he recalled.

“No, it’s fine” he had replied with a sigh.

With gentle hands you had wrapped the bandage around his arm, mindful to not wrap it too tight. All the while he had watched you closely, waiting for the usual look of dislike/distaste or a chorus of hurtful words that he was used to. Yet they never came. When you had finished you brought your (color) eyes back to meet his molten brown ones.

A soft smile crossed your dusty lips. “There, all done”.

The way you looked relieved mixed with pleased at your handy work, caused Mattheo’s stomach to flip in a good way. The way you smiled at him caused his breath to falter. He had seen you in the halls or in classes, but it was like he was seeing you for the first time. The quiet nerdy girl who was so much more. An Angel so kind, caring and pure. But here she was helping a literal demon, who only caused hurt, sadness and sin.

That night a year ago always playing on his mind. So much so, that Mattheo started to seek you out in a crowd or room. His eyes watching you every chance he could. A new addiction, obsession even. Mattheo was borderline stalker.

Sitting with his friends, Lorenzo and Theodore, both males at his side in full conversation. Mattheo did not partake in their conversation, nor was he giving it his full attention. Instead, his eyes rolled over those in the hall leading to Charm’s class, molten brown orbs looking for someone, for you.

Mattheo could feel the eyes of every female in the hall upon him, yet never paid them any attention. He did not even turn his gaze when a third-year girl came up to him with a love note, nor did he accept it. Both his friends laughed as the girl left, tail between her legs and tears falling from her eyes. Yes, it was heartless of him, but it was necessary.

He heard you before he saw you. Turning his head in the direction the third year took off, Mattheo’s gaze located you standing with your friends looking back from the hall they had come from. You and you friends shared a look, along with some quiet words, all the while a few other girls joined you all to no doubt fill in the blanks to what had happened.

Five sets of eyes landed on him, which caused Mattheo to turn back to his friends. Silently he hoped you hadn’t noticed that his gaze had been upon you. Risking a look from under his lashes, there was relief when seeing all five girls were back in discussion. Yet he noted that you were not talking like those around you. The way they spoke as if they sat on the edge a chair, along with animated movements, was rather comical. You on the other hand looked to be bored, as such talk was not enthralling, which he understood.

Gossip was not your kind of thing. One as good as you never spoke ill of another. Nor were you that mean, always doing what you could to help those in need. Being good also meant staying out of the gossip mill. Always proper, never stepping out of line that would lead to ridicule. You never spoke to males, unless required, so that you weren’t compromised in any way.

With their group discussion coming to an end, you and your two friends parted from the other two girls. You all moved down the hall in conversation. Briefly three pairs of eyes looked to Mattheo, who blankly looked at you all, his eyes linger on you just a bit longer, before going back to talking amongst themselves.

“Time for Charms” Mattheo stated moving to stand before his friends. Silently hurrying them up so he could follow you.

Both males groaned, reluctantly getting up from their spot. “What’s the hurry?” questioned Lorenzo with a stretch. “It’s only Charms”.

Ignoring Lorenzo’s question, Mattheo and his mates made their way to Charm’s class. Picking up his pace, Mattheo grew closer to you, leaving a person and a half gap. His eyes followed you, watching as you nodded your head to whatever your friend had said. When you turned your head, replying to your other friend. He took note of your profile, how your nose slopped down in completion. How your tongue would dart out to swipe over your lips, a quick way to moisturize the dusty petals of your lips. How bright your eye looked hearing your friends words.

You and your friends slowed down upon coming to the Charm’s classroom, entering after a few other students. Mattheo silently entered the room, watching you take a seat front row but close to the middle of the length of the table. Your friends taking a seat either side of you, some banter from them made you smile and laugh softly. He may not have been able to hear it, but seeing it was something to savour.

Theodore clapped Mattheo on the shoulder and gestured to the back row at the tablet across from you. It couldn’t have been more perfect, how fate was in his favour today. Sitting next Theodore, Lorenzo on said males’ other side, Mattheo got out the minimal supplies he needed for the class.

Eventually Professor Flitwick entered the room, the students before him quieting down, waiting for the Professor to address the class. Mattheo looked over to you, watching how you looked to the Professor. No doubt waiting with bated breath for an incline of what the lesson would be about. Ah, the Ravenclaw in you showing.

Mattheo half smiled only imagining what was going through your mind. Yet it was a place he would love to be a fly on the wall of. For you didn’t really show much, leaving him only guessing to what made the gears in your mind turn. Part of it was the need to learn, always needing to learn something new. Another part was the need to think of others, always thoughtful and caring.

Charm’s class was spent for Mattheo observing you. How excitement crossed your gorgeous face when Flitwick spoke of a new spell to be learnt. How you listened to his instructions, brows drawing together with every word the Professor spoke. How you concentrated when practicing the spell, the determination in your eyes to master said spell. Once confident with knowing it front and back, how you turned to one of your friends that struggled to get it. You had patience with her, but the joy that washed over your face when she got it, even made him smile.

As the lesson came to an end, every student packed up their supplies before leaving the classroom. Mattheo had planned to hang back and then follow behind you. Only his friends had other plans. He could have denied them but that would have led to them questioning him, which Mattheo didn’t want to answer. So, with one last look at you, he slipped out of the room in tow of his friends.

The rest of the afternoon and night was lackluster. The only time Mattheo had gotten to see you was at dinner, and even then, it was restricted. And the arrival of both Durmstrang and Beauxbatons Academy of Magic, which both schools entered in flare, was a distraction. Yet neither entertained Mattheo, though you seemed intrigued and curious. He could see it in the change in your facial features, along with conversation you had with those around you.

With the announcement of the Triwizard Tournament and all that, dinner finished and students, in a commotion over the tournament, made their way back to their common rooms or dorm rooms. With a final look at you for the evening, Mattheo reluctantly made the journey back to the Dungeons, and to the Slytherin house. He chose to return to his dorm, not feeling in the mood to idly chat with his friends and fellow house mates.

He opted to lounging on his bed, mind running with thoughts of you as he read poetry. To be honest, Mattheo hadn’t been one for poetry but a few times he had seen you with a poetry book. No doubt it was light reading for you, but on some level he could see that you enjoyed reading it. So, he took to reading it himself, which he has come to like. Many poems would bring you to the front of his mind, the beautiful words speaking to him of you like no other could.

After reading a particular poem, Mattheo had an idea come to mind. It might be foolish and impulsive, something he may come to regret. But before really thinking about it, he moved to his desk and took out some parchment and a quill with ink. Picking his book back up, Mattheo looked to the page he had been on, writing the poem word for word.

Once satisfied with his handy work, he smiled contently. Without another thought, Mattheo grabbed his wand and enchanted the neatly folded parchment that had your name upon it. Then with a flick of his wand the letter was off, off it went into the night to its intended recipient.

Only once it was gone did the realization set in, and nerves now started to grow. Along with a raging storm of thoughts and doubts. Dropping his wand on his desk, Mattheo finally saw what he had done. The only good thing had been that he did not sign his name to the embarrassing moment of that he let his feelings get the best of him. Mattheo Riddle had just sent you an anonymous letter…

A/N: feedback welcome! Along with requests :)

[genericpuff]

Lore Olympus just pulled off the biggest whiff in webtoon history.

I promised I would choose one of two headlines and of course, this is the one we wound up with. But should we really be surprised? Rachel herself seemed to be telling on herself down to the minutes leading up to the finale, fully confirming to us that yes, she's been writing this comic at the last minute, by the seat of her pants, for ages now.

(that second one was literally posted TWENTY FUCKING MINUTES BEFORE THE COMIC UPDATED.)

Welp, let's get into it. Possibly the last essay I'll ever write about this dumpster fire of a comic (but probably not, let's be real LOL)

CONTENT WARNING: DISCUSSION OF SEXUAL ASSAULT AND FASTPASS SPOILERS FOR THE SERIES FINALE AHEAD!

Holy crap, where to even start with this. I knew it was going to be bad. I knew it was going to be rushed. I knew it wasn't ever going to live up to what I had hoped it would be years ago when I was still a diehard fan.

But I didn't think it was going to fall quite this hard. Despite bracing myself for the worst, Rachel has once again let my expectations down through a final display of explosive mediocrity and disappointment.

Yes, the episode is called "You're Welcome", and yes, that instant "ick" you're feeling is the exact same as what we're all feeling. This title plays into the dialogue later, but what a shitty, lowkey mean-spirited title for the series finale.

Now, before we get into the actual episode, the WT ads for this are just... so desperate and misleading.

They are trying SO HARD to hype up something that isn't there, and at the last minute to boot, because Rachel definitely hadn't written any of this ahead of time.

First off, the bit about the gods being in "eternal chaos" of course isn't a stake worth worrying over because Gaia literally does away with Ouranos in the first 5 panels.

Did you really think I was joking about that 5 panels thing?

That's it. That's the death of Ouranos. As mysteriously and quickly as he arrived, he was gone, after Gaia ripped out of him what appeared to be some purple sunny side up - but it's actually, in fact, Apollo.

And that's when we start to get some of the worst dialogue I've ever seen throughout LO. Remember when I said LO's dialogue was like Shenmue 3? Welp, the finale decided to continue that tradition and further fuel the suspicion that this entire thing was written by ChatGPT.

Oh, by the way, that "thank you, ma'am" was Artemis' first and last line of the episode. So once again, just like in Episode 248, we're completely robbed of her reaction to Apollo being a rapist piece of shit and the character development she could have had as a supporting character. The women in this "feminist retelling" really couldn't be more half-baked.

Gaia stumbles upon Persephone, and I'm not even gonna fucking bother showing the panels where Gaia says it's time to "make things right" because they literally don't matter. Why don't they matter? Because Rachel just had to get in one more pointless time skip.

We're shown a sequence of pointless images that I'm not gonna show as I don't want to waste my image limit on them, depicting Hades having a sad day because his small wife isn't with him and oh nooo what could have happened?? Did Persephone finally divorce him ??

Nah, we couldn't possibly have an actually happy ending in this comic. Instead we get a completely pointless phone conversation between Hades and Hecate-

Not only is the grammar particularly bad in this episode, but the actual script-writing is atrocious. We literally did not need this phone conversation to happen because-

-we're cutting BACK TO THE PRESENT THAT WE JUST CUT AWAY FROM FOR A 3 MONTH TIME SKIP. FOR NO REASON BESIDES SHOWING HADES BE SAD OVER SOMETHING THAT ACTUALLY ISN'T THAT BIG A DEAL, AS YOU'RE ABOUT TO SEE.

I- I LITERALLY HAVE NO WORDS. I HAVE NO WORDS TO DESCRIBE WHAT THE FUCK THIS IS. ALL I CAN HEAR IN MY BRAIN IS THE LEGEND OF ZELDA ITEM GET MUSIC-

-BECAUSE THIS WHOLE THING SUDDENLY SOUNDS LIKE SOME CONTRIVED FETCH QUEST. WHAT DO YOU MEAN HADES AND PERSEPHONE HAVE PROVEN 'TRUE LOVE' IS REAL? WHAT DO YOU MEAN THEY HAVEN'T USED 'LOVE' AS A FORCE FOR DESTRUCTION?? ARE WE FORGETTING THAT HADES MUTILATED A GUY IN THE NAME OF 'LOVE'? THAT PERSEPHONE LITERALLY INVADED THE HOME OF HADES' CANONICAL FIRST WIFE BECAUSE SHE FELT MILDLY THREATENED BY HER?

This whole concept of "true love" that Rachel is trying to convey feels so juvenile especially for a series that has sold itself as being mature and thought-provoking and progressive.

HAHAHA SO FUNNYYYYYYY why does Rachel write like this. this is, at best, the writing of a 13 year old on fanfiction.net, which I SHOULD KNOW, because I WAS ONE OF THEM. BUT I'M 28 NOW AND RACHEL HAS ANOTHER 10 YEARS ON ME.

Okay, this is the part where I'm CONVINCED Rachel either just mashed this into the episode in the MINUTES leading up to its release, or she used ChatGPT or something. Because NONE of this dialogue makes any sense. Beyond how stilted and lifeless it is (seriously, this dialogue reads like something from Empress Theresa) Gaia is clearly meant to 'replace' Erebus here which I SHOULDN'T HAVE TO EVEN EXPLAIN IS SO FUCKING DUMB, but ALSO what is even Persephone trying to communicate here? "That is true, but it was a deal I was willing to make and ties me to the Underworld. Please don't change me." What? Gaia hasn't even insinuated that she's going to do anything to Persephone, why is Persephone immediately jumping to this conclusion? What does 'changing' her mean? Is she asking Gaia not to force her to sacrifice something (which she never did)? Or is she asking Gaia not to strip her of her Underworld status? Because again, why is that even something Gaia would do?

Maybe this is harsh but I'm pretty sure even Empress Theresa is more coherent than this, what in the flying fuck is Gaia talking about?

"I can just see the potential for conflict! To relieve you from the burden of the whats, the hows, and wheres." Like... okay, first of all, that second sentence isn't even a complete sentence, it's a dependent clause left hanging, but also what the fuck does this MEAN. Is she EXCITED for the conflict but then contradicting herself by saying she wants to relieve Persephone of that conflict? Or is she saying she can see the conflict it would cause for Persephone to have to perform duties in both realms and trying to insinuate that she's going to relieve her of those complications?

Here's what I think happened - I think that second 'sentence' wasn't supposed to be a sentence, but the start of the sentence to the next panel-

So with that theory in mind, the sentence becomes, "To relieve you from the burden of the whats, the hows, and wheres, you are to spend three months in the Mortal Realm to do spring and the rest of the year in the Underworld. That seems fair to me."

It's still a very poorly written line of dialogue, but at least with that fix in mind it makes sense. But man, you can really fucking tell this episode was submitted at the last minute because that's a serious syntax error that should NOT have happened in this two-time-Eisner-winning comic.

Errors aside, it's clear that Rachel is following through on having Persephone spend only three months in the Mortal Realm, rather than the traditional six. There ARE other translations that have that number closer to four, but those four are the time she spends in the UNDERWORLD, meaning she's always spending either equal or MORE time in the Mortal Realm. Of course, Rachel doesn't want her self-insert small wife power fantasy to actually have to be separated from Hades despite this being a retelling of The Abduction of Persephone, so instead of her spending three months in the Underworld, she's now spending them in the Mortal Realm, literally doubling the MINIMUM amount of time (four months) she was originally meant to reside in the Underworld.

But oh no, apparently those three months are STILL NOT SHORT ENOUGH FOR PERSEPHONE-

Of course, Rachel "Retcon" Smythe had to have her cake and eat it too. I always worried something like this was a possibility, but I never thought she would actually prove me right - not only is Persephone only separated from Hades for three months out of the year, but actually he can visit her any time he wants to, so really, they're not separating at all.

I think Rachel needs to look up "reunion" in the dictionary, because if you can visit each other any time, then that means the 'reunions' are no longer special occasions. This completely removes any semblance of depth or meaning from all of the storytelling leading up to this, all of it with the expectation that this was a retelling of the Abduction of Persephone, because that's what Rachel said it was going to be. At this point it's safe to say that Rachel has zero business attempting to "retell" mythological stories, because she doesn't even seem to grasp the concept of why they were written the way they were to begin with. Either that, or she really just doesn't care, and the only reason for making LO a Greek myth comic at all was to propel her career.

This also brings me back to those promotional ads, the other one that posed the question, "Will sacrifice be enough to bring these two back together?"

This is stating the obvious, but I need to make it perfectly clear - Hades and Persephone have never sacrificed a single thing. The only thing they could POSSIBLY quantify as a "sacrifice" is "not being tied at the hip for a few hours", because even Persephone going on the equivalent of a work trip next door is apparently enough to make Hades sad as we saw in the 3 month time skip panels. Why is Hades so sad and lonely if he can visit her any time? Why is he acting like he hasn't seen her in years when he's actually on his way to reunite with her? Why is Hecate calling to ask him if he's "okay" as if he JUST got separated from her, but actually he's about to literally go to the Mortal Realm to reunite with her?

Hades hasn't 'sacrificed' a damn thing, neither has Persephone. They've both always gotten exactly what they wanted, even at the cost of breaking the story's own established rules. Their 'sacrifice' is equivalent to what billionaires think are 'sacrifices' when they can't buy another yacht or go on that third overseas vacation for the month.

And even outside of this episode, when have these two ever sacrificed anything?

I've tried so hard to think of what sacrifices have been made by the characters within LO, and I genuinely can only think of one - and that was when Artemis chose to go to the Mortal Realm with Persephone instead of staying with her family in Olympus. That was a genuine, selfless sacrifice, made by a character who has been shelved in favor of focusing on the self-centered pink and blue airheads.

Being forced to be apart for a couple days to do the equivalent of a day job and whining about it the whole time is not a 'sacrifice'. Neither of these characters have ever sacrificed anything, they just feel like sacrifices because they have the integrity and empathy of soggy cardboard.

sigh Anyways, we're back in the present and Hades and Persephone immediately decide they're gonna have sex because ofc, and then we get this gem of a panel-

MMMMMM

FUNNYYYYYYYYYYYYYYYYYYYY JOKE

For some reason it's just a common thing for people to just be in Hades' home, and they can't seem to get any privacy as a result of this, but I digress. Turns out they still need to have that coronation for Persephone.

There is... so much wrong in these three panels.

First, to state the immediate issues - why the fuck are they mentioning Apollo at Persephone's coronation? Like first of all, no shit Apollo isn't gonna be there, but also, if this is supposed to be an event for and about Persephone becoming Queen of the Underworld, then why in the WORLD is Apollo even being mentioned? This is supposed to be a "feminist retelling" where the victims are empowered and heal from their trauma, but LO once again can't try to show any sort of positive growth for the victims without bringing up the assaulters and giving them screen time. It just goes to show that Rachel's idea of "healing" is purely rooted in the revenge, and not the growth. It's a very high schooler approach to this subject, hellbent on showcasing how all the meanies from the past are losers now and life just sucked for them forever, but inadvertently proving its own point that the victims haven't and can't move on because the narrative is spending so much time on caring what's going on with the abusers. It's the "I don't care! Look at how little I care! I'll prove it to you by putting in the effort of showing you how little I care!" approach, it doesn't really feel like moving on.

It's not about how Persephone and his other victims could have grown and healed, no, Rachel always needs to highlight just how much worse the bullies and haters and abusers are doing to make the victims seem like they've healed by comparison. Don't get me wrong, I can understand wanting to showcase the downfall of a character like Apollo, but this just... isn't the right context for that? Because it's once again taking attention away from the victim to focus on the abuser. It's once again spending screentime on the voices of the oppressors rather than the oppressed.

And speaking of, what the fuck is this punishment even? I knew Rachel wasn't gonna be able to resolve this plotline properly, she never had the capability to, but ... community service? Are you fucking for real? What is this even a punishment for even? Was this EXCLUSIVELY the SA, or does this ALSO include his attempts to overthrow Zeus by poisoning him, nearly killing Daphne, Eris, Eros and Psyche, trapping Eros and Psyche in an enchanted basement, and framing his father's 'death' on his half-sister? Because if so, how in the world is anyone content with community service? He hasn't even been turned into a mortal, HE'S STILL A GOD, so what's to stop him from going "WE'LL MEET AGAIN, SPIDERMAN" and trying something else? How is this a reasonable resolution in ANY context?

This is why I talked at length about what an issue it was to hide what Apollo really admitted to. Because now we really don't know what exactly he confessed to, and thus we can never really see the point of views of the victims outside of just Persephone - and we still don't even get Persephone's, because she just walks away from him and then he gets eaten by Ouranos and next we see of him is him doing community service! Once again, any emotional development that could be given to Persephone and the other victims is stripped away to make room for the point of views of the oppressive men. In this, the two-time-Eisner-winning "feminist comic" that is LO.

And that brings us to the "where are they now" segment. Yes, as we all feared, there's a "where are they now" segment, and it's as rushed and underwhelming as we ought to have expected it to be.

There is just... so much to unpack here, and yes, all of it is delivered in the dumbest way possible that only raises more questions than answers.

So Rhea and Metis are just back and we're not gonna talk about the implications of them being alive again?

Dionysus is a 3 month year old in the body of a teenager / young adult, and his mom is just alive now because Hades conveniently got his hands on more ambrosia and brought her back to life offscreen? But somehow Triptomelus and Hedone are still child-sized relative to their ages?

How did they 'heal Zeus'? And why is he so content with losing his power as King and Apollo being sentenced to community service after making an attempt on his life? How does he feel about the letter that Hera gave him? Did he even read it?

Where the fuck is Hebe in all of this? Is she okay? Do people still think it was her who put Zeus in a coma? Or did Apollo confess to that, too?

You're telling me Hera and Echo are just in a relationship now despite the fact that Hera is literally racist towards nymphs and there is ZERO reason for them to have a relationship in the comic beyond the fans making gratuitous headcanons out of it? How is Rachel, a bisexual woman, so bad at writing actual lesbian relationships and giving them the same amount of attention as the heterocis ones without shoving them into the background as props for insincere queer rep? And what about Hera herself? How did she overcome her role as the Goddess of Marriage to finally divorce Zeus?

"Ares is still a dog!" Haha! Ares is still a Persephone simp! Happy end!

Why is Eros just standing there smiling at the camera struggling to be seen past Hedone who's just floating right in front of him? You're telling me there wasn't a better place to put her out of that entire panel?

"Hades and Thanatos have been making more time for each other. Sometimes they even have a conversation." I'm sorry, is this supposed to be funny? The man abused Thanatos for years, treated him as just a lowly employee when he was literally his adopted son, and now you're trying to play it off as a joke that they're "making more time for each other"? What the fuck is this?

TGOEM disbanded? Why? What about the women who were genuinely a part of it?

Also, Artemis and Selene are just good friends now because reasons? Because they're both affiliated with the moon, I guess? Why is Selene even in this comic-

"They are still looking for Kassandra". Who? And why? This feels like such a last minute addition to acknowledge a character that the comic spent WEEKS foreshadowing only to have her finally appear as a pointless McGuffin, but it's so last minute that it does nothing. I'm assuming it's Eros and Psyche looking for her, but like... why can't they find her? They're gods, tracking down one mortal shouldn't be that difficult LOL ???

And also, where the fuck is Leto?? You're telling me she was an accessory - maybe manipulating Apollo, maybe not - but we don't see what happened to her? Is she just back to being a social outcast then? jesus christ this comic isn't finished-

Kassandra is where the "where are they now" sequence ends, and we're treated to one final horribly written dialogue scene between Hades and Persephone, where they tell each other how much they love each other in a desperate attempt to convince the audience that this is, in fact, a romance.

There's this thing in romances called chemistry, and if you're good at writing it, you shouldn't have to write dialogue like this. You should be able to see how much the characters love each other through their actions, through their small behaviors around each other. It's not always about what they say out loud, it's about what they don't have to say, because when two people really share that close of a bond based on love and trust and chemistry, words often aren't necessary.

Hades and Persephone do not have that chemistry. It has been apparent for years now, but this final exchange really is the nail in the coffin. There are no microexpressions or subtle emotions, no subtlety in their word choice, and nothing unique setting their voices apart. It's all just "wow thank you for being such a wonderful amazing partner, you are amazing and I love you" word salad that has to do all the heavy lifting for the completely non-existent chemistry that's been at its absolute worst throughout this entire season.

And worst of all, despite this story trying so hard to be focused around Persephone, around her story, her trauma and her healing, her voice... it's still all just about Hades. In the end, she's thanking Hades, and forcing him to say "you're welcome". All of it is trying so hard to convince us that Hades has been a positive addition to her life, that she 'owes' so much to him, but we've obviously seen plenty throughout the comic that begs to differ. And even if he were a better person than he is, it still doesn't change the fact that once again, the men are being held up above the women, with the women being grateful to the men who choose them. LO can try its hardest to convince people that it's feminist, but it is, at best, reinforcing the very same structures of the patriarchal system that it claims to despise and rebel against.

We do get one line from Hades acknowledging Persephone's part in the relationship-

-and it falls so fucking flat because it's still about him and what she does for him, and because nothing about their relationship was built on any sort of organic chemistry. There was a lot more chemistry back in S1, but it was still predicated on Hades lusting after a vulnerable 19 year old girl.

Yep, and that's it. That's the end.

Except it isn't because Rachel wanted to try and be smart by including an 'epilogue' that's really just stretching the episode out pointlessly for another few panels. And of course, we had to get another time skip, just a final dose of salt in the wound, this time to years ahead when we inevitably had to reconnect with Persephone and Hades in the future after Melinoe was born.

To recap, Melinoe doesn't remember... because Hades had Morpheus erase her memories.

This plotline has really started to give me the ick because it actually feels very familiar. Bear with me here, because I'm gonna go on a bit of a tangent about my own original work, but it's because I wrote a plotline exactly like this years ago.

There's this... turning point, in Time Gate: Reaper, when the main character Uzuki is kidnapped by a Reaper (see: undead) who wants to experiment on her in the hopes that he can somehow gain her abilities to bond her soul with others (which later allows her to literally possess people after she becomes a Reaper herself). Mitsuhiro, the male deuteragonist who kickstarts the plot by telling Uzuki she's got a limited amount of time left to live (which he knows thanks to his magical death timers that mark themselves on his skin), feels an immense amount of guilt after finding out she was kidnapped by the Reapers (at this point she's been gone for three months), as they were originally after him; he worries that she was made a target simply due to him associating himself with her, and vows to rescue her.

With the help of some other spunky teenagers and anime trope characters, Mitsuhiro does eventually rescue Uzuki - but for the three months she had been gone, she had been tortured, abused, and experimented on, causing her mind to split and for her to lose any sense of awareness of who Mitsuhiro or her other friends were. She was no longer herself after the hell she had been through.

Mitsuhiro's solution to this is to have Springlock - another Reaper with motivations that are not yet clear to the cast - erase her memory. This is not a light decision that comes without consequences - for the remaining duration of the story, Uzuki is plagued by night terrors and panic attacks, unable to really remember what happened to her aside from whatever brief flashbacks her brain recalls in its haze of memory loss. She is traumatized, both physically and mentally. She has lost three months of her life and memories, and doesn't know how to explain why she's covered in scars that are still healing, why she's missing organs, why she's now blind in one eye, and why the sound of scraping metal and ticking clocks gives her panic attacks. Mitsuhiro has convinced her friends that she's suffering from memory loss due to trauma, but only he knows the truth that he forcefully took her memories away from her, without her consent. This was not the right choice to make. It was not noble of him, it was not a grand gesture of love, he made a decision on her behalf without her consent that has now resulted in her becoming a nervous wreck. Sure, she still would have had PTSD if she remembered what happened, but at least she would know why and could then seek adequate help. Without those memories, she has nowhere to begin to heal. And so we see the consequences of this throughout [AFTERBIRTH] and even the upcoming Thread of Fate. It is a long-term problem that is not going to be solved overnight, especially not with Mitsuhiro withholding information from her.

Reading about Melinoe having dreams about her experiences trapped in Tartarus with Kronos ... it felt familiar enough that I had to talk about why the insinuations of this are so fucked up. I know there are people who are gonna handwave it away as "she's just a kid", "these are gods so what does it matter", etc. but ... it just feels like such an oversight to have Hades effectively erase her memory of her trauma and then hint at them still being present in her mind through her dreams. She did not ask for that. And the fact that she's now dreaming about it all does not bode well. But we're supposed to think Hades made the correct choice, regardless.

But none of this is effectively expanded on or explained, because we get one final scene of Melinoe and Demeter visiting Persephone, who has just given birth to... Makaria?

So it turns out Persephone and Hades are just able to have biological children now. Don't know why, but of course they both look exactly like Hades.

What I was really confused by though is the fact that it's Makaria and not Brimos. Do you remember Brimos? The child that was foreshadowed in Hades' original fantasy dream sequence about his future children about Persephone?

Either Rachel completely forgot about him, or she saw all the criticism over the fact that Brimos isn't a confirmed child of Hades and Persephone (rather, an epithet that can apply to basically any Underworld god including Persephone and Hades) and that her "research" was dependent on a book she read when she was 13 and decided to axe that. But she went to the effort of establishing that all the dreams Hades had were , in fact, canon visions of the future, so good job Rachel, you created yet another plothole on top of the hundreds of others.

And that's where the series ends, on a final nuclear-family-photo of Persephone, Hades, Melinoe, and Makaria. Of course, Dionysus and Thanatos aren't present in this shot because this is Lore Olympus and only biological children count /hj

Why Rachel couldn't move the "the end" portion to THIS part, I don't know, but I'm also expecting way too much of the person who finished this 20 minutes before it was due.

So that's it. Six years and that's what we get. I didn't expect much, but I was still incredibly disappointed, as were many others who walked away from this dazed and confused. Maybe it's all the "haters" deserve at this point. But what of the fans? While many of them are celebrating this ending at best and tolerating it at worst, I can't help but think of the fans of this comic who hung on for so long in the hopes it would "pay off", just for it to go out as gloriously as a wet fart.

As for me, I have such mixed feelings about Lore Olympus ending, but none of them pertain to the comic itself. Most of what I'll miss from this comic isn't the comic itself, but the people who have made reading it every week so fun, the artists and writers who have enriched the content with their own interpretations of what could have been, and the experiences of being part of such an amazing community made up of people who are as long-term-obsessed about this piece of media as I am.

I get people who ask me a lot if it's "worth it" to be so engrossed in the LO slander, who assume that I'm going to "regret" ever being a part of it all... but from where I'm standing right now, I couldn't ask for a better view.

Even if I didn't love every minute of it, everything I have here I owe to this comic. This stupid, wonderful, boring, amazing, pile of shit comic.

[couldeatthatgirlforlunch]

In the yandere justice league x assistant reader series, would the heroes ever snap and try to kidnap reader? I'm imagining if they did, it'd all be at the same time (maybe reader sent in her 2 week notice or got a new SO), and they all try to kidnap her on the same day, leading to their plans backfiring on each other. Reader comes in the next day having enjoyed their day off (the league was too busy with each other to bother them) and sees them bruised and panting and is like "what happened to you guys?" 🤨

I divided this answer in three bc I went too far and described each individual scenario lol:

1-Lmao, yes, I see them kidnapping Reader at some point, especially in a scenario were they think Reader's safety is at risk, or in a similar scenario to Love Pollen.

Hal's the only one who would accept fake love, but if Reader actually fell for one of them and the others went insane and tried to act on it, the one who got chosen would keep them locked on a secret location — in this scenario of Reader falling in love, maybe not all of them would go crazy (crazier) immediately, maybe it would be gradually, by everyday watching their beloved darling being happy and romantic with someone else — in front of them, bc of course, the chosen yandere would rub it in their face's —, and rejecting their advances (yes, they would keep trying, some more explicitly than others) —.

Also, if you're a woman, Diana would take you to Themyscira!

If, let's say, there is a world ending event, they would team up to take Reader to a safe place.

2-And if Reader tried to quit the job, they would keep offering them to raise their salary, to the point of Reader having a comically large paycheck for an assistant. If nothing worked, Reader's life would get worse bc they would simply reveal their secret identities and bother Reader even more in their personal life. Showing up at their home, at places Reader frequents, offering jobs, they can't take the possibility that without seeing each other almost everyday Reader will forget about them!

It would be even funnier if Reader got a job at LexCorp lol.

Especially if Lex hired them for the specific purpose of using Reader on some evil plan, for gathering info, or just to annoy the Justice League that he's got something they don't (in this case, he found out they're in love with them), and even worse, if he finds out that Reader's been stalked and obsessed over by the JL, he's gonna use that to fuck with their public image.

3-If Reader got a new S/O they would do the same thing they did to Bucky, search for every dirty secret and red flag, and if they were totally clean, they would just try to manipulate Reader's opinion by shit talking their S/O.

"Don't you think your S/O could be more polite? When they helped that old woman walk down the street on your last date, they seemed really cold towards her, poor woman must've felt bad..."

"... And you know that because you were following us and listening in on our conversation?!😐🤨🧐"

"... Of course not, I was just coincidentally close by when that happened"

"... The street was empty..."

"I just wanna make sure you're safe, okay?!"